Delicious film reviews can be either pans or raves, but the raves are better. And the ones that really get you going and stick to your ribs aren’t just concise or articulate or well-phrased. The very best ones absorb the artistry and special energy of a film and somehow convert it into charged prose. You’re reading but you can feel the film.
Read Owen Gleiberman’s Tar review and see what I mean.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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