Haywire proved again that Steven Sodberbergh kills every time he decides to do a crime-action movie. (Excluding the Ocean’s films, of course.) I realized this morning that the same incandescent mentalities who declared that Haywire is “not very good” (air agnes) or “meh…kind of dry and slow-moving” (Alex Billington) are cousins of those who complained that the warehouse shootout scene in Soderbergh’s The Limey (’99) sucked because it doesn’t show anything.