“It’s just the ultimate hustle. It’s just selling an invisible product, and so if I can be Toto in The Wizard of Oz pulling back the curtain, which is how I see religion, great, that’s fine, I’ll do that and get off the stage. I’m not looking to be the anti-messiah.” — Religulous producer-star Bill Maher speaking to N.Y. Times writer John Leland.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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