If I’ve ever seen a feature-film trailer that screams “streaming, no theatrical!”, it’s Anthony Maras‘s Pressure (Studio Canal, 5.29), which is clearly a “dad recreates D-Day” movie. Kyle’s Smith Wall Street Journal review says it best, at least as far as I’m concerned since the mere idea of Dwight D. Eisenhower being played by a larducket strikes me as…uhm, offensive:
Smith: “In this clunky D-Day drama, the overly emotive Brendan Fraser isn’t like Ike.”
Smith’s last three words refer to a song in Irving Berlin‘s “Call Me Madam“, which opened on Broadway on 10.12.50.