“There’s Hollywood Elsewhere and then there’s everything else. It’s your neighborhood dive where you get the ugly truth, a good laugh and a damn good scotch.”
(Star Wars: The Force Awakens, Super 8)
“Smart, reliable and way ahead of the curve … a must and invaluable read.”
(Down and Dirty Pictures Easy Riders, Raging Bulls)
“He writes with an element that any good filmmaker employs and any moviegoer uses to fully appreciate the art of film – the heart.”
–Alejandro G. Inarritu
(The Revenant, Birdman, Amores Perros)
“Nothing comes close to HE for truthfulness, audacity, and one-eyed passion and insight.”
(Salt, Clear and Present Danger, Rabbit-Proof Fence, Dead Calm)
“A rarity and a gem … Hollywood Elsewhere is the first thing I go to every morning.”
“Jeffrey Wells isn’t kidding around. Well, he does kid around, but mostly he just loves movies.”
(Almost Famous, Jerry Maguire, Vanilla Sky)
“In a world of insincere blurbs and fluff pieces, Jeff has a truly personal voice and tells it like it is. Exactly like it is, like it or not.”
–Guillermo del Toro
(Pan’s Labyrinth, Cronos, Hellboy)
“It’s clearly apparent he doesn’t give a shit what the Powers that Be think, and that’s a good thing.”
Director (The Punisher), Writer (Armageddon, The Rock)
“So when I said I’d like to leave my cowboy hat there, I was obviously saying (in my head at least) that I’d be back to stay the following year … simple and quite clear all around.”
–Jeffrey Wells, HE, January ’09
“If you’re in a movie that doesn’t work, game over and adios muchachos — no amount of star-charisma can save it.”
–Jeffrey Wells, HE
Part 1 of Aaron Aradillas and Richard Seitz‘s latest essay — “The Golden Age of the Car Chase, 1968-1985” — naturally focuses on the car-chase sequences in Bullitt, The French Connection and The Seven-Ups. The narration is by Matt Zoller Seitz.
Some are under an impression that Ti West‘s Pearl (A24, currently playing), the X prequel, is some kind of unusual,...
It only took me five weeks to finally watch John Patton Ford‘s Emily The Criminal, which is pretty close to...
Yesterday I tried to elaborate upon my positive Telluride reaction to Sam Mendes‘ Empire of Light (Searchlight, 12.9). Toward the...
At what point can The Woman King, which cost $50M to produce and another significant chunk of change to sell,...
An article by a veteran Academy member has appeared on The Ankler, and it says something that The Ankler‘s Richard...
Last night I ran into an old friend who’s no longer a friend because he’s more or less turned into...