For me, the Shohei Imamura film that seeped in deeper than the others was The Ballad of Narayama. The 1983 film is concisely summed up in this IMDB sentence: “In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die.” Not what I’d call an enjoyable or soothing film, but an unforgettably strong one. I’m mentioning this because of the news of Mr. Imamura’s death from cancer, at age 79.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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