Christoph Waltz as a colorful eccentric is one thing. Perhaps it’s the only thing. But if you ask me he’s more interesting when he’s a bit icy and toned down, as he was in Roman Polanski‘s Carnage. Waltz is apparently back to eccentric in Terry Gilliam‘s The Zero Theorem. I don’t know, man. I’m not too sure about his performance or presence in Tim Burton‘s Big Eyes either. I don’t know anything any more.