The first thought when I saw this one-sheet this afternoon was how much better it is — more crackling, intriguing — than Arthur Penn‘s 1965 film. I would give this poster at least an 8 or an 8.5, and the film a 5…okay, maybe a 6. What other one-sheets seemed to deliver more than the films they were selling? Nearly all of the Saul Bass one-sheets for those 1950s Otto Preminger films, surely. The Man With The Golden Arm one-sheet is several artistic realms above the movie. Others? There must be dozens.