HE isn’t 100% persuaded in terms of the Disqus poster’s identity, but it may the same Lily Gladstone with whom we’re all familiar,

Either way I have two replies — (a) thanks for the recognition and the for the implied limited respect therein, and (b) thanks for expanding my horizons with a Navajo term I wasn’t familiar with — da’alzhin, which means ayehole.

The HE comment in question appeared late last night. It was in response to yesterday afternoon’s “Lily Wins Again…Yeesh” riff. I’m mentioning it for posterity’s sake as her Apple handlers will most likely be urging @lilygladstone to delete the post, if (and I say “if”) the authorship is indeed genuine.

HE statement: I don’t have an issue with Lily Gladstone per se — not in the least. She’s fine within the realm of her own talent, and there’s nothing wrong per se with wrapping herself in a Native American identity blanket on the campaign trail.

Gladstone is simply out of her depth in the current Best Actress race compared to Emma Stone and Carey Mulligan’s guns-blazing performances in Poor Things and Maestro, respectively. Her Mollie Burkhart performance in Killers of the Flower Moon, good as it modestly is, is a supporting thing —it simply lacks the necessary scope, depth and intensity that is commonly associated with an award-aspiring lead performance.

Alas, Lily has been running an effective woke identity campaign (a three-pronged one, one could argue), and it’s obviously working with the rank-and-file. Such efforts have been yielding award-season fruit since the Great Awokening kicked in four or five years ago.