The other day I mentioned the classic character arc known as the Three D’s — desire, deception, discovery. Comedies with moral underpinnings are mostly out the window these days, but The Proposal, which snuck last weekend, seems to adhere to the Three D structure. The main character resorting to elaborate subterfuge to obtain temporary satisfaction, grappling with a moral-ethical quandary as a result, and finally coming to a resolve that puts an end to the bullshit. Surely some HE readers saw it last weekend. Verdict?
