I know it’s against the law to say this, but I’m not entirely sure that I like Sam Peckinpah‘s The Getaway (’72) better than Roger Donaldson’s 1994 version. I was more than pleased with the Donaldson, and there are portions of the Peckinpah that bothered me from the get-go. (Sally Struthers‘ character, for one.) But I’ll always love this shotgun-the-cop-car scene in the original.