Jason Reitman‘s Juno, a likably spunky sit-dram that gradually deepens as it goes along, has corralled attention via a Borys Kit/”Risky Business”/Hollywood Reporter item as a possible Oscar nominee. I agree that Diablo Cody‘s script might compete in the Best Original Screenplay category, but I’m not yet convinced that Juno has the gravitas or philosophical reach to qualify as Best Picture material. Agreeability isn’t a problem; this is a very smart, warm-hearted film. But in the end a film has to coagulate into something more than the sum of its parts.