“[Toronto’s] Four Seasons lobby is the place to ask folks like producer Ted Hope what’s happening with the acquisition of Alan Ball‘s controversial pedophile drama Nothing is Private,” writes Variety‘s Anne Thompson.
She then writes that the film “is challenging for distributors and needs some press support to give it some traction.” But how can there be much press support of the two Private press screenings aren’t happening until Tuesday? I liked Ball’s script and would love to see this film at the public showing the other night. But what was I supposed to do, chase down Hope and beg for tickets? Nobody’s flacking for this thing. Ball hosted a wee-hours party last night. Was I invited? No.
“A sampling of non-distrib folks I’ve spoken to liked it but felt pummeled by its clear-eyed look at some difficult material,” Thompson explains. “One studio marketing exec commented that she had never thought to see so much discussion of girls’ periods in two movies in one year. (The other is Superbad.)” In fact, the head of a distribution company told me earlier today that he’s calling Nothing is Private “a period film.”