I don’t even remember this sequence being in the original Let The Right One In. Maybe I need to see it again. In any event this scene is nicely shot, cut, everything. It tells me that Let Me In (Overture, 10.1) may be exceptional in its own way, along with doing a good job of aping Tomas Alfredson’s original.
Not that I minded or was turned off by the red-band trailer, but trailers lie, cheat and hoodwink. That’s what 94% of them do (and are intended to do) so you really can’t trust any of them, ever. But this clip is okay.