So that’s all she wrote for Ridley Scott’s The Last Duel — seen, considered and more or less dismissed as a sullen “damp mullet” melodrama by the Venice Film Festival critical watchdogs. What turned me off in West Hollywood is Dariusz Wolski’s affected bluish-gray color scheme. I’m a huge fan of Frank Tidy’s natural toned, Barry Lyndon-ish cinematography in Scott’s The Duellists (‘77); it would have been heavenly to return to that palette in Duel…but nope.