This presumably provocative Neil LaBute film premiered at last April’s Tribeca Film Festival. I was wondering when it would reappear. HE correspondent HE Clayton Loulan, who attended, wrote that “the question on everyone’s mind was will this film erase or mitigate the sins of LaBute’s Lakeview Terrace and The Wicker Man? The short answer is yes, but the longer answer likely has to do with how the ending hits you.”
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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