The use of Beethoven’s Ninth is a tired idea. It was fresh 19 years ago when that famous Cliffhanger teaser used “Mozart’s Requiem in D Minor.” Echoing the use of Beethoven’s Ninth in the original Die Hard (’89) only emphasizes the fatigue factor.
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Really Nice RideTo my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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Live-Blogging “Bad Boys: Ride or Die”7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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One of the Better Apes Franchise FlicksIt took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
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- The Pull of Exceptional History
The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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If I Was Costner, I’d Probably Throw In The TowelUnless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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Delicious, Demonic Otto GrossFor me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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