When are the American Cinematheque guys going to stop shovelling the same old Lawrence of Arabia 70mm ghoulash? The super-luscious, extra-detailed 4K digital version, which is sourced from Grover Crisp‘s 8K scan, is the only way to go. After the 4K Lawrence DCP played last April at the Bedford Playhouse, original Lawrence restorer Robert Harris told me it’s “the finest looking version I’ve ever seen, including any and all 70mm presentations.” For decades 70mm was the cat’s meow of theatrical presentation, but no longer.