I never went along with the general Zoe Kazan infatuation, which started with her Revolutionary Road performance, and I can feel myself pulling further away with each successive turn. She seemed irritatingly flighty in It’s Complicated (especially with the texting), and excessively coy and mannered in Happythankyoumoreplease, which I hated at Sundance. And now I don’t know if I even want to watch The Exploding Girl (Oscilloscope, 3.12) after watching this trailer. She isn’t done — she just has to get past what she’s been doing.
