(l.) Carl Fredricksen’s balloon-elevated house in Pixar’s Up; (r.) Production designer Walt Spangler’s hovering New England house in current B’way production of Desire Under The Elms.
(l.) Carl Fredricksen’s balloon-elevated house in Pixar’s Up; (r.) Production designer Walt Spangler’s hovering New England house in current B’way production of Desire Under The Elms.
<div style="background:#fff;padding:7px;"><a href="https://hollywood-elsewhere.com/category/reviews/"><img src=
"https://hollywood-elsewhere.com/wp-content/uploads/2019/08/reviews.jpg"></a></div>
Really Nice RideTo my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
More »
Live-Blogging “Bad Boys: Ride or Die”7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
More »
One of the Better Apes Franchise FlicksIt took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »
<div style="background:#fff;padding:7px;"><a href="https://hollywood-elsewhere.com/category/classic/"><img src="https://hollywood-elsewhere.com/wp-content/uploads/2019/08/heclassic-1-e1492633312403.jpg"></div>
- The Pull of Exceptional History
The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
More » 
If I Was Costner, I’d Probably Throw In The TowelUnless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
More »
Delicious, Demonic Otto GrossFor me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
More »