Last night Sasha Stone and I mulled over the Cannes Film Festival winners and the Nanni Moretti factor. (Boxoffice.com’s Phil Contrino, as ever, was doing a family thing.) A story passed along from this or that character’s point of view is never just that — it’s about their POV as well as mine because I’m in the middle of it, sitting in my seat. Here’s a stand-alone mp3 link.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
More »
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
More »
It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
More »
Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
More »
For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
More »