In Robert Wise’s 1961 West Side Story as well as innumerable stage versions performed over the decades, the dance scenes are never acknowledged by passersby, much less performed for them. In fact, passersby barely exist.
With the exception of “I Feel Pretty”, the basic rule is that each dance number happens in the hearts and minds of the Jets or Sharks.
And one other thing: Except for the opening sequence (i.e., ballet-like daytime street fighting), the dancing happens in a restricted space of some kind (dance hall, tenement rooftop, back alley, dress shop, drug store, rumble under a highway), and always among Jets or Sharks and their immediatekin or sympathizers.
The dancing, in short, is restricted to the immediate “family.” Neighborhood civilians never notice or acknowledge that any carefully choreographed activity is going on. The dancing is rigorously intimate — members only.
Which is why that “America” scene with Ariana DeBose (Anita) and David Alvarez (Bernardo) in Steven Spielberg’s West Side Story…dancing down and around San Juan Hill in the daylight — has been bothering me from the get-go. Because sidewalk neighborhood residents are clearly watching Anita and Bernardo and their friends “cut a Latin rug”, so to speak. And, one presumes, are enjoying the “show.”
That’s a violation of a basic West Side Story rule, and is where the the Spielberg film loses the mojo. Because the singing and dancing are absolutely not for onlookers.
…they’re probably facing an even tougher situation now. Because the pollen from South Korea’s 4B movement — shorthand for bihon, bichulsan, biyeonae and bisekseu, which translate into “no marriage, no childbirth, no dating and no sex with men” — is reportedly floating to receptive American women. Because they really, really want to punish men for voting for Donald Trump.
@Toure Hey you effeminate bitch…I'm one of the black men who voted for Trump back in 2020, and you told us to go fuck ourselves, well this time around in 2024 even more of us voted for Trump this time…and I want to be one of the 1st to say Fuck you too! pic.twitter.com/qXCObWFWXi
Three significant films will open on Wednesday, 12.25 — Christmas Day — minus the sound of jingle bells, joyful carolers and deer hooves on the roof. Which is interesting.
James Mangold‘s A Complete Unknown, first and foremost — Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Dan Fogler, Norbert Leo Butz, Scoot McNairy.
Nosferatu, a jolting vampire film from Robert Eggers and costarring Bill Skarsgard, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin and Willem Dafoe.
And Hailja Reijn‘s Babygirl, an allegedly worthwhile pervy relationship film with Nicole Kidman, Harris Dickinson, Sophie Wilde and Antonio Banderas.
That’s a fairly nifty-sounding holiday trio!
Two other noteworthies are opening on 12.25 — Rachel Morrison‘s The Fire Inside, a fact-based female boxing flick with Ryan Destiny and Brian Tyree Henry, and Tyler Nilson and Michael Schwartz‘s Los Frikis, which no one will flock to.
I’ve been constantly looking in the mirror since last Tuesday night, and I’m feeling a certain consolation amidst the shock and horror. I’ve begun to realize that the woke psychos are finished…they’re gradually realizing that their era is ending….over, in fact. That’s not a bad thing.
Three and a half months ago Bill Maher offered a rundown on Kamala Harris. It runs from 1:35 to 3:10. From the moment that Joe Biden threw in the towel until the night of Tuesday, 11.5, I thought Maher had been wrong….blind to what so many people loved about her. Now I have a different perspective.
Friendo: “Honestly? My first gut impression after glancing at this poster was that Paul Mescal is on crutches. Metallic multiple schlerosis crutches, of course. You can’t say that association isn’t there.”
I’m sorry to report that the junket whores who were recently doing giddy cartwheels and back-flips over Ridley Scott’s GladiatorII…their ecstatic reviews are being disputed by…uhm, people who are not whores.
“GladiatorII is an absolute mediocrity,” a friend writes. “It pains me to say that Scott, at age 87, has lost his mojo. I don’t know how a studio can ever give Scott another big budget after this.
“And the over-rated Paul Mescal is absolutely terrible in the lead role. Denzel Washington’s supporting performance works, but that’s all.”
Friendo #2: “I thought it worked okay, but it’s no Gladiator.”
Don’t hang out in the woods near the facility that you escaped from, bruhs! Run for it and keep running!
If I were in the area I’d invite some of you to jump into my car so I could drive you south to Key West. We could listen to music, stop for occasional meals, etc,
I haven’t seen Babygirl, and obviously I’m spitballing when comes to A CompleteUnknown. But otherwise here’s a rundown of the best of the best and/or the likeliest Best Picture contenders.
Kamala Harris’s electoral loss wasn’t a squeaker — outside of the northeast, the west coast and certain blue urban slivers she was totally clobbered.
I had hoped that her victory would usher in a sane, sensible, moderately constructive presidency…nope! I had been clinging to Michael Moore’s prediction that she had a decisive win in the bag…not so much! As it turned out Tuesday, 11.5 wasn’t so much a presidential preference vote as a national referendum on cultural resentment.
The bumblefucks didn’t so much vote for Trump as against woke progressives.
Lee Fang and Linda have said it all.
There’s only one way to straighten things out going forward…only one way to cleansetheDemocratic Party of the wokester fanatics who apparently triggered the most devastating electoral landslide since 1988 or maybe even 1964, and that’s to recognize that thesepeopledidthis.
What Linda has said hits home: “People didn’t vote for Trump — they voted against you.” Which means, arguably, that they voted against hoodie mobs ripping off department stores without anyone lifting a finger, against Lia Thomas, against the George Floyd vandalism riots of May and June of 2020, against elementary school drag shows, against the trans thing flooding the educational system, against presentism in historical films and the general woke consensus that younger white males are what’s wrong with this country.