There’s nothing like lying on a bed and smelling…what is that? Something rank and musty. Sheets that might have been cleaned but were so cheap to begin with and have been slept on so often by so many dicey travellers (or by grandma and grandpa for decades) that they smell like a Goodwill store. The pillows smelled even worse. I finally used a pillow off the living room couch but that didn’t help much. And the bed was a fold-out so the mattress sagged and groaned and was maybe three inches thick. This is the first Airbnb I’ve ever been this unhappy with, bedding-wise. It’s not Airbnb’s fault — it’s the Belgrade thing. If you look beyond the rich culture and the storied architecture there are some economic and infrastructure issues. It’s been 17 years since the Kosovo War bombing but the city is still recovering in some respects. Am I unhappy here? No — I love it. But the bed is rank.

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I’ve posted this photo because I’m flabbergasted by James Stewart‘s baby blues. But I was also thinking how this moment in Alfred Hitchcock‘s The Man Who Knew Too Much isn’t all that different from that final bit in Sofia Coppola‘s Lost in Translation when Bill Murray whispers something romantic into Scarlett Johansson‘s ear. What if in addition to the information about an assassination attempt and “Ambrose Chapel” Louis Bernard had added, “I also want you to know before I die that I love you, and that if I were to somehow survive this knife wound and if you should ever reconsider the wisdom of being married to Doris Day, that you would never want for a better lover or a more devoted companion than myself”? Hitchcock’s 1956 film would acquire a whole ‘nother level of intrigue.

Yesterday Awards Daily‘s Sasha Stone, currently in Manhattan with her daughter Emma for a performance of Hamilton (which probably set her back $800 or even a grand for two tickets), had her wallet stolen on the R train. Not a major tragedy unless she was carrying wads of cash, but still….hello? Here’s how Sasha put it on Facebook: “You know you’re in New York when someone steals your wallet right outta your purse…”

“Are you kidding, Sasha?,” I wrote on Facebook. “An out-of-towner having her wallet stolen? That’s Sandy Dennis and Jack Lemmon in The Out-of-Towners. You actually did that clueless tourist thing….whoa, wait, what happened? Never coming back here again!

A guy named Todd Alcott commented, “Don’t ride the subway while chewing on a piece of hay. It’s a dead giveaway.” But the phrase that caught my attention was “right outta your purse.” How did the thief manage that?

“You’ve lived in the city, Sasha,” I wrote. “You know the realm, you’re no dummy and you’re not Thelma Kadiddlehopper from Emporia, Kansas. Always carry your wallet in a super-snug place next to your person. NEVER in a large or medium-sized, semi-open or easily-openable handbag. (Of course it was one of those two.) That’s like carrying a sign saying ‘Hello, subway pickpockets! This is your chance!”

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Bernie is going to lose the California primary — agreed. But this a semi-closed primary that doesn’t allow people to vote unless they’ve registered (the deadline was 5.23) as either Democrats or “no preference” voters. Unfortunately thousands were dumb enough to register with the American Independent Party, which sounds good on the face but is actually an extreme right-wing, anti-gay party that can’t vote in the Democratic primarily. Plus there’s a sizable Latino voting bloc that’s in the Hillary camp; ditto African Americans who don’t like Bernie because he doesn’t look or talk like their kind of guy.

Five hours of the great Werner Herzog sharing experiences about narrative and documentary filmmaking online for $90…sold.

Best thought: “Don’t look into a camera — look through it.” Of course, self-explanatory — always pay attention to content more than composition. Disputed thought: “Storyboards are the refuge of cowards.” No — always storyboard, always make sure your script is as clean and tight as a drum, always prepare until you’re blue in the face. And once you’ve done all that and you begin to shoot with your actors and crew, then you can re-think it and improvise and follow freshly-hatched instincts. Always, always have a well-prepared, fully thought-out scheme in case your momentary instincts lead you into an unworthy or mediocre realm.

Hey, I could do this. Five hours of stories and life lessons from an online poet-samurai columnist who’s been through it all, played the game, not played the game, learned how to churn out thoughtful, well-sculpted daily prose without frying my brain, enjoyed moments of triumph, made a better-than-decent living, hit most of the major film festivals, whored myself out to a select few festivals in cities with attractive architecture, worshipped The Kooples, run into occasional difficulties, kissed ass, had my ass kicked, sacrificed any resemblance to an actual “life” to this obsession, restored my soul, learned to be a bulky scooter/motorcycle man, bought Italian shoes with care, dealt with the Twitter scolds and banshees, fought it out in food courts, my cup runneth over, etc.

I was bitching earlier about how some areas of Belgrade are a tiny bit ratty and rundown with altogether too much graffiti, but when you get into the upscale regions (basically in the city’s center) everything is cool, refined and approved. All the spiritual and material perks of any hip town. This is a city, remember, that had the shit bombed out of it by NATO forces from 3.26.99 thru 6.10.99. I never knew before arriving here that everything is spelled with Cyrllic script as well as the Latin alphabet. The U.S. dollar goes a long way here.

Moritz Eis gelato, Vuka Karadzica 9, Belgrade.

Banks of the Sava River — Wednesday, 5.25, 6:55 pm. Belgrade is located right at the juncture where the Sava joins the Danube.

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Hollywood Elsewhere touched down at Belgrade’s Nikola Tesla airport around 2:15 pm. It began raining within 20 minutes of my arrival, and then it stopped 15 minutes later. Now it’s started again. I have to say that I’m not impressed by the architecture in the Belgrade suburbs, which reminds me of the drab northern New Jersey area just to the west of the George Washington Bridge. The city is another story. I’m heading out now with HE’s own Svetlana Cvetko (who persuaded me to pay a visit) and editor/producer David Scott Smith for a walk and a bite. The Airbnb “loft” I’m staying in is about 50% smaller than I expected based on the photos.

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I just paid $20 and change for a Masters of Cinema Bluray of Andre de Toth‘s Day of the Outlaw (’59), a black-and-white “snow western” in 2.35:1. I succumbed against my better judgment because I’m queer for ’50s and ’60s films shot in this all but vanished format. (A cruddy-looking version is watchable on YouTube.) I will watch and consider buying almost any film shot in monochrome Scope.

Day of the Outlaw costars Robert Ryan, Burl Ives and the then-24-year-old Tina Louise. It was shot by Russell Harlan and written by Philip Yordan, who also produced. Yordan told a Ryan biographer that the Outlaw script was “one of the best I’ve ever written” but that the $400K budget “wasn’t big enough.”

The fact that Quentin Tarantino has spoken highly of Day of the Outlaw is an anecdote at best — he was either plugging his own snow western, The Hateful Eight, or acknowledging that the De Toth was an influence. Martin Scorsese allegedly saying that De Toth’s low-budgeter exists in the same respected B-movie realm as Sam Fuller‘s 40 Guns and Budd Boetticher‘s Seven Men From Now is also a concern. Never trust impassioned film buffs when it comes to B westerns. They’re too kind, too generous.

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I’ve posted one or two Prague streetcar videos before. This one probably won’t be the last. Yeah, I have a thing about them. If you choose the right angle and hold the camera steady and just shoot and wait, it’s hard to miss. The short blonde running for the second train is what makes it.

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Advance-review-wise it appears as if I chose a good week to be out of the country, at least in terms of the two big openers. Bryan Singer‘s X-Men Apocalypse and Tim Burton‘s Alice Through The Looking Glass both have lousy Rotten Tomatoes ratings, 52% and 48% respectively. The best-rated opener appears to be Ido Haar‘s Presenting Princess Shaw, a Magnolia-released doc about the YouTube star. It’s currently RT’d at 89%. If anyone has seen the doc, please advise.