Do The Right Thing -- Stand Up For Excellence
September 25, 2024
I Would Have Preferred A More Challenging...Okay, A More Insulting Tone
September 25, 2024
Opposite Peas in Polish Travel Pod
September 25, 2024
A friend recently said that he found the faint but distinct current of paranoia in Tar to be the film’s most arresting aspect.
I zeroed in on this during my last viewing of Todd Field’s film, and now I agree — once the paranoid stuff begins to manifest, it becomes stronger and stronger until Lydia Tar’s downfall.
My favorite definition of paranoia is one attributed to Willam S. Burroughs — “knowing all the facts.” But what exactly defines paranoia in films?
Most of us would say it’s a vague but persuasive feeling that something undefined but threatening is approaching or waiting around the corner. This feeling gathers strength as the film progresses, but the superior paranoid films hold off at the climax…the prickly vibes linger after the payoff.
I never really thought about paranoid currents in movies until reading about Alan Pakula‘s paranoid trilogy — Klute, The Parallax View and All The President’s Men. I’m actually not so sure about Pakula’s journalism docudrama but the first two are paranoid masterpieces.
In my book the most striking or penetrating paranoid films are, in fact, thrillers — The Conversation, Rosemary’s Baby, The Witch, It Follows, The Innocents, Taxi Driver, Three Days of the Condor, Repulsion, Cutter’s Way.
What films (if any) feel paranoid without conforming the usual scheme of thrillers?
In a 10.22 N.Y. Times interview, “Ralph Fiennes, Master of Monsters,” the 59 year-old star of David Hare‘s Straight Line Crazy has, to his immense credit, once again defended J.K. Rowling in the face of trans hate:
“I can’t understand the vitriol directed at [Rowling]. I can understand the heat of an argument, but I find this age of accusation and the need to condemn irrational. I find the level of hatred that people express about views that differ from theirs, and the violence of language towards others, disturbing.”
Here are HE’s choices for Fiennes 11 greatest performances, be they lead or supporting…if your performances ring true, the amount of screen time matters not:’
1. Monsieur Guystave H. in The Grand Budapest Hotel. Fiennes has a classic line about graceful aging and adjusting one’s appetites. Gustave is telling Tony Revolori‘s Zero Moustafa, a Grand Budapest hotel bellboy, that he Biblically “knew” Tilda Swinton’s recently deceased Madame D. Noting that she was “great in the sack,” Fiennes explains that “in your youth it’s all fine filet but as you get older you have to settle for the cheaper cuts.” Or words to that effect.**
2. Amon Goth in Schindler’s List — a performance that spoke for itself from the get-go. I interviewed Fiennes in the fall of ’93 for a regular Sunday column I did for the N.Y. Daily News — the piece called “The Reich Stuff.”
6. Heathcliff in Emily Brontë’s Wuthering Heights.
7. Dennis “Spider” Cleg in David Cronenberg‘s Spider.
8. Count László de Almássy in The English Patient (though I find his performance a bit labored, a bit of a slog).
9. Coriolanus in Coriolanus.
10. Maurice Bendrix in The End of the Affair.
11. Justin Quayle in The Constant Gardener.
I have to add that I’ve always half-admired Fiennes for that 2007 seven-mile-high episode aboard Quantas Airlines. Only good-looking movie stars get away with this kind of thing, and I had to chuckle with I first read about it. Fiennes had most of his hair back then and his natural good looks were still untouched my middle-aged crease, and Quantas steward Lisa Robertson had loved him in The English Patient so he was in like Flynn.
** That’s generally true if you’re not married, but for the middle six months of 2013 I was utterly blessed by a relationship with an exquisite, marbled, grass-fed filet mignon, to go with the metaphor. God smiled, and I will never forget His generosity. Despite the woundings at the end I caught an amazing break.
So Will Smith had a recent private screening of Antoine Fuqua‘s Emancipation (Apple, 12.2), but he invited only celebs of color. The same thing happened with that recent D.C. screening, which reportedly was mainly composed of African-American groups. Why am I hearing that the earlybird audiences been racially segregated? It feels like Smith is going for a stacked-deck consensus. The advance word of mouth on Emancipation will not travel unless a certain percentage of tough white critics give it a thumb’s up. Non-invested critics, I mean, who have no particular dog, etc.
In his 10.20 piece called "Will She Said Hit Too Close to Home for Oscar Voters?," Variety's Clayton Davis is trying to guilt-trip older Hollywood males into applauding this first-rate docudrama about how Jodi Kantor and Megan Twohey took down Harvey Weinstein.
Login with Patreon to view this post
Three oldies costar in Ant-Man and the Wasp: Quantumania —Michael Douglas, Michele Pfeiffer and an uncredited Bill Murray as a villain of some kind. I adored the original Ant-Man (’15) but not so much Ant-Man and the Wasp (’18). I’ll probably have difficult with this one also. Paul Rudd, Evangeline Lilly, Kathryn Newton, Jonathan Majors, Randall Park
I had to catch an 11:30 am train to Grand Central in order to arrive early for a 2 pm Bardo screening at the Paris theatre. It all happened according to plan.
Login with Patreon to view this post
RishiSunak, Liz Truss’s 42 year-old successor, will soon become the youngest Prime Minister in British history. He and wife Akshata, daughter of Indian billionaire N.R.Narayana Murthy, have a combined fortune of $730 million and perhaps over a billion dollars.
Born on 5.12.80, Sunak would be a Millennial if he had begun life a year later. He’s technically a very young GenXer.
From a certain angle Sunak almost seems like a conservative JFK — young, slim, good-looking, loaded. The non-JFK factor, according to British broadcaster and former politician Nigel Farage, is that Sunak lacks charisma. “He’s very, very dull and detached, and doesn’t connect with ordinary folk,” Farage recently told Sky News.
Autocorrect is giving me all kinds of trouble when I attempt to spell the names of Rishi, Akshata and her father N.R. Narayana…stop pestering me!
I tried watching Tar again last night -- my third viewing. It happened at Stamford's Avon, which turned out to be a mistake. My next viewing will happen when Tar starts streaming. I'm very much looking forward to reading the subtitled dialogue as there are still passages (particularly when Cate Blanchett's Lydia Tar is whispering to her young adopted daughter) that I can't make heads or tails of.
Login with Patreon to view this post
The idea or concept of Jack Nicholson-style insouciance (i.e., that vaguely grinning, self-amused, slightly paunchy, middle-aged swagger hound attitude) didn’t really come into being until his Garrett Breedlove performance in Terms of Endearment, which opened 39 years ago.
Today the Breedlove routine would be shut down so fast that Nicholson’s head would spin. The world that half-chuckled at such antics is dead and gone.
Okay, it’s not dead and gone but people in the heady Hollywood heat of things are too terrified to admit this so it might as well be. Okay, there’s still room for “you need a lot of drinks to kill the bug that is up your ass”…that still works. Just don’t ask IndieWire‘s Anne Thompson, who served as the unit publicist for Terms. Different era.
HE to Beverly Walker: “I’m re-reading your 1985 Jack Nicholson Film Comment interview, and I’m wondering what you’re hearing, if anything, about Jack’s well-being or health or whatever. He’s 85 now, and I know he doesn’t say anything to anyone these days, largely due to diminished capacities.
“But dear God I would love to hear the old Jack weigh in on woke Stalinism and the idea that any actor or filmmaker whose personal behavior has resulted in a blemish or two needs to be expelled or at least discredited. I don’t know what he’d say exactly, but I can guess. To hear it in his own words, his own phraseology…”
HE: “Malibu is an over-crowded car community with a side order of beachside real estate. It’s arguably the most unpleasant coastal region in the civilized world.”
Overlord: “Then why go there at all. or are you a masochist?”
HE’s Own Insect Antennae: “The same reason all their hikes are through residential Hollywood. He enjoys the proximity to wealth.”
HE: “Because when you finally arrive at the mostly empty and semi-secluded El Matador, La Piedra and Leo Carillo state beaches, the effort feels worth it. For a while.
“But getting there is hell unless (a) you’re on a motorcycle or an HE-approved rumblehog or (b) you manage to avoid peak traffic by traveling between 11 pm and 6 am. Most of the time there isn’t a dime’s worth of difference between PCH and the 405. It’s basically about cars and foggy haze and the near-futility of finding a parking spot (unless you’re visiting the afore-mentioned, Trancas-area beaches) and that constant whahhh of traffic and that atmosphere of speed and aggression and predatory restaurants and the suffocating howl of it all. It just drains your soul.
“I’ve visited so many tranquil, extra-beautiful, far-from-the-madding-crowd beach areas around the world. The Florida keys, Northern California and Oregon, central Vietnam, Maine, New Jersey’s Long Beach island…yes, even New Jersey!…France’s Côte d’Azur, Marina del Campo on the island of Elba, Baja California, Cape Cod, San Blas, the Spanish coast near Almeria, Placencia in Belize and Playa del Carmen and Cozumel in Mexico.
“I’m sorry but alongside these havens the Malibu region is nothing to cherish or speak fondly of.
“It’s one thing if you own a nice canyon home or cliffside spread or if you’re jogging along the track at Pepperdine U., but otherwise ‘later.'” — from “Paradise Cove Overchqrge,” posted on 12.1.19.