Brilliant Monochrome Genre Blend

I’ve said two or three times that Jack Sholder‘s The Hidden (slithery monster aliens invading and taking over bodies of human hosts) should be remade. It’s too good and too hilarious of a premise to not rework it somehow. It came out nearly 35 years ago, which means that most Millennials and Zoomers have barely … Read more

Sasha Is Worth Listening To About SAG Noms

The SAG nominations have taken on a more populist cast (i.e., less sophisticated picks, an element of dumbshit-ism) since the SAG-AFTRA merger of 2012. How else to explain The Girl on The Train‘s Emily Blunt being nominated for Best Actress while 20th Century Women‘s Annette Bening and Elle‘s Isabelle Huppert were blown off? I don’t … Read more

Herr Himmler

Two nights ago I caught Vanessa Lapa‘s The Decent One, a fascinating arm’s-length portrait of infamous Nazi exterminator Heinrich Himmler, at the Film Forum. Pic blends archival footage of Himmler and the his era (1900 to ’45) with actors narrating Himmler’s (and his family’s) private letters and journals. Discovered and then kept by U.S. serviceman, … Read more

Jonas and the Residents of Giverland

The best I can say about Phillip Noyce‘s The Giver (Weinstein Co., 8.15) is that it’s clean, efficient, well-ordered and tidy. I’m not just referring to the tight assembly but the vibe permeating the totalitarian Disneyworld village that the hero, Jonas (Brenton Thwaites), and his community reside in. I’m not sure if Noyce intended The … Read more

Coppola Succumbing to Kubrickism?

Stanley Kubrick was one of the reigning cinematic geniuses of the 20th century, but the defining behavioral trait of the last 30 years of his life was an increasing tendency to lead a hermetic, hidden-away life. I’ve long felt that this isolation made his films seem more and more porcelain and pristine, and less flesh-and-blood. … Read more

Pan’s Numbers

Then: Ang Lee‘s Crouching Tiger, Hidden Dragon — a very big hit by any standard, let alone for a foreign-language film — opened on 16 screens on 12.8.00, and earned $758.542 after four days. Now: Guillermo del Toro‘s Pan’s Labyrinth opened on 12.29 on 17 screens and has earned $779,427, averaging $44,148 per screen. The … Read more