Like I said in Cannes, David Mackenzie‘s Hell or High Water is a meditative, social malaise, heartache-in-the-heartland movie disguised as a film about cops and bank robbers. All those cash-poor hinterland bubbas with their backs against the wall are feeling the pain, you bet. But they’re too damn dumb and blinded by the myths of their cultural gulag to understand that Donald Trump is not their friend and never will be, and that their only hope is to vote for their actual economic interests (i.e., become a Berniebot) and not in response to bogus cultural issues that the right uses to keep them in line.