Real Incomes vs. Movie Fantasies

In Todd Haynes May December, which I saw in Cannes a few days ago, Julianne Moore is Gracie Atherton, a 60ish native of Savannah (actually Tybee Island, a bucolic waterfront community 25 minutes to the east). She services the affluent locals with a dessert-baking business, and is living fairly flush or at least comfortably.

Gracie owns (rents?) an elegant multi-bedroom home, and apparently three nearly grown kids (a lad and — I think — two lassies), and they’re all in college or about to attend same. Not to mention their 36-year-old father, Joe Yoo (Charles Melton), whom Gracie married after seducing him at age 13 when they were both working in a pet store.

Like the real-life (and now deceased) Mary Kay Letourneau, Gracie’s misdeed led to a prison term for statutory rape, but that was 23 years ago and life has since settled down. Joe presumably handles the delivery of the cakes, pies and pastries.

As I explained on 5.21, May December is about a famous actress, Elizabeth Berry (Natalie Portman), visiting the Tybee homestead in order to research a forthcoming Gracie portrayal in a film about her once-turbulent life.

I was undergoing some turbulence of my own due to a nagging question: how is Gracie affording all this (pricey abode, college tuition)?

Maybe there was a line about inherited wealth that I missed, but if Gracie comes from a rich family why was she working in a pet store in her 30s?

And how much, really, could she be earning from making fancy birthday cakes and whatnot? Gracie is presumably catering to elites but even if she’s charging double Savannah pastry chefs earn less than $20 per hour, according to Google.

Did she raise money for the house through crowd-funding? Did she get into Bitcoin? Did she write a successful book about her thing with Joe? These questions may have been answered in the film, and okay, it’s quite possible I might have missed some info due to zoning out from boredom.

I only know that (a) wealthy filmmakers tend to write or otherwise create characters whose lives tend to reflect their own comfort levels, and (b) too much financial ease or abundance is alienating from a Joe Popcorn perspective.

Previously noted: Letourneau and Fualaau insisted from the get-go that their relationship was consensual; ditto Gracie and Joe in May December. After serving her prison term Letourneau married Fualaau and, like their screen counterparts, had kids with him.