Paul Schrader‘s First Reformed (A24, 6.22) “plays like a summation of a career – a distillation of the themes that have dominated Schrader’s work since the 1970s. Deeply spiritual but in a Schrader kind of way, about the arc of a spiritual human being and whether he can find salvation. In Schrader’s world, any salvation is usually accompanied by Old Testament-style violence. For literary fans, Schrader also crafts a scene that’s an homage to Flannery O’Connor’s Hazel Motes of Wise Blood. And for fans of transcendentalism, there’s a levitation scene that’s mesmerizing.
“First Reformed is an art movie, pure and simple. It won’t attract the teenage action-loving crowd. It won’t break any box-office records. But it’s beautiful, thoughtful and full of grace.” — Charles Ealy, Austin American Statesman, posted on 3.14.
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