The most concise, honest and dead-on assessment of Paul Thomas Anderson‘s Phantom Thread ever written. Because all the effete, high-falutin’, dingle-dangle, ostrich-feather bullshit that you get from so many critics has been boiled out of it, and all that’s left is the truth.
My own review, “Paul Thomas Anderson’s Howl,” posted on 12.7.17.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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