Working on a film set is emotionally exhausting because each and every actor and crew person is obliged to be “on” all the time like a vaudeville performer — smiling, spirited, quick with a quip. And you have to keep it going for ten, twelve, fourteen hours a day. All that charming alpha stuff is great, of course, but it has to be real. Undercurrents of fear (i.e., concerns about not getting hired on the next job unless everyone you meet likes you) have a way of taking the bloom off.
A shoot on Melrose and Huntley — 8.2.07, 5:55 pm.