I’ve only begin to dip into Lionsgate’s Apocalypse Now Bluray, but so far it’s glorious. The only problem (and this is entirely the fault of my system) is that the bassy explosion sounds are overwhelming the speakers on my 42″ plasma. (Dynamic range and all that.) I’ll never forget my first exposure to the magnificent sub-woofer vibration — like some great rumbling earthquake — that came out of the Ziegfeld speakers when I first saw AN in 1979.

This is my favorite still from the film. The instant I saw it projected onto the Ziegfeld screen I said to myself, “Vittorio Storaro is a serious rock star.” I knew he’d done beautiful work on Bernardo Bertolucci‘s The Conformist and Last Tango in Paris, but the Apocalypse Now photography was thrilling, gleaming, “extra.”