The Cove, The Cove, The Cove…they gave the Best Feature Doc Oscar to The Cove! And Fisher Stevens ate up all the thank-you time. How dare the orchestra kick Louise Psihoyos and Ric O’Barry off before they’ve spoken. But they did.
And The Hurt Locker has won for Best Editing….another favorable omen. As Jett just said in a text, “The writing’s on the wall.”
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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