90 minutes were eaten up this morning at the vet (the first of three all-in-one vaccines for Mouse), and then three and a half to four hours were consumed trying to find a place that could do a first-rate scan of a 41″ x 18″ poster of The Presbyterian Church Wager , the 1971 Robert Altman film that was renamed as McCabe and Mrs. Miller. I finally got it scanned and burned to a CD for $86.87; brand-new poster-sized prints will be ready by tomorrow or the next day.

My Sir Speedy guy couldn’t scan full-scale one-sheets; ditto the local Kinkos and a place on Wilshire called Luscen. I went upstairs to an office of an architect named Jackson and asked where they scan their architectural drawings, and one of the office guys directed me to a place on Robertson just north of Olympic called Ford Graphics. Except the Ford guy only does black-and-white scans, and so he sent me over to the West L.A. branch on Military, which handles color.
Mouse, by the way, was with me the whole time and being fairly cool about it — no crying, sitting on my shoulder, checking things out, etc.
Then as I began to remove the poster from the metal-and-glass frame at Ford we realized moisture has seeped in and the lower-right portion of the poster had stuck to the glass. I had to spend a long 10 minutes slowly slicing the sticky paper shreds off the glass with a razor blade. Then I had to wait for the scan to be done and put to disc, and then I had to go back to my Sir Speedy guy and give him the disc for digital touch-ups and printing.
It all reminded me that copying and restoring old materials is a fragile undertaking, and that you have to treat all the materials with kid gloves. But what a beauty this thing is. Those rich blues and reds, the Victorian-era trim on the perimeter, etc. About as rare as rare-ass movie posters come.

The cursive caption beneath the oval-shaped monochrome photo of Beatty and Julie Christie reads as follows: “Mr. John Q. McCabe & Mrs. Constance Miller — Town of Presbyterian Church 1902.”