I’ve just been invited to a couple of Los Angeles screenings of Brad Bird‘s Tomorrowland. I wrote back and asked if there’s a press screening in Paris on Monday, which is my last full day here before the Tuesday morning train for Cannes. If not I’ll have to either (a) catch a market showing in Cannes or (b) pay to see it at the Olympia on Wednesday, 5.20 — opening day in France, two days before the U.S. release. I’m sensing possible concerns with this thing.  But maybe not.