Last night the Aero screened a digitally restored, very slightly expanded version of Michael Mann‘s Thief (’81). Mann showed up for a post-screening q & a. I’m presuming we were shown a DCP. It looked and sounded exquisite. The sound was full and rich and fully audible to the deafest guy in the room. Mighty Joe Young, that Tangerine Dream score. The Bluray streets about a month from now.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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