Generally speaking the disparity between critic and audience scores on Rotten Tomatoes, Metacritic and IMDB is fairly consistent. More of than not it’s (a) critics are fine with a film but the audience isn’t or (b) vice versa.
Jordan Ruimy: “The readership for Metacritic tends to be a little more highbrow than Rotten Tomatoes.” More than a little, I’d say, when it comes to Belfast.
Critics mean nothing these days. 90% are woke sheep, herd mentality whores. Audience scores are what finally count in the end.