“We have the problem that they tell us Logan is a great movie. Well, it’s a great superhero movie. It still involves people in tights with metal coming out of their hands. It’s not Bresson. It’s not Bergman. But they talk about it like it is. I went to see Logan ’cause everyone was like ‘this is a great movie’ and I was like really? No, this is a fine superhero movie. There’s a difference but big business doesn’t think there’s a difference. Big business wants you to think that this is a great film because they wanna make money off of it.” — Ethan Hawke quoted on 8.23 by The Film Stage‘s Rory O’Connor.

The same thing is happening now with reports about Disney pushing Ryan Coogler‘s Black Panther as a serious Best Picture contender. I wouldn’t be surprised if it lands a Best Picture nomination — in fact I’m predicting flat-out that it will.

But it can’t win, of course. One, it doesn’t really kick into gear until the last hour. And two, it’s basically a Marvel movie adhering to the same basic story beats that other Marvel flicks have followed, the difference being the native African representation factor and the whole historic pride thing that goes along with that, and of course the huge box-office factor. At the end of the day it’s going to win the Best Popular Film Oscar — we all know that.

From my 3.5.17 review of Logan: “A T2-like road movie that finally concludes the Wolverine saga, Logan is James Mangold’s most assured ilm since Walk The Line. It’s intelligently composed, engaging and even incisive from time to time. There’s never any question about Logan being a cut above — smart, well-produced and grade-A as far as the genre allows.

“And no element lit me up more than little Dafne Keen, whose instantly riveting performance as a junior-sized mutant is one for the ages. She has great eyes and a haunting stillwater vibe. In less than five minutes I knew for sure that Keen is the new Natalie Portman. (Born in ’05, she was 11 when Logan was shot last year — Portman, born in ’81, was 12 or 13 when she made her screen debut in Leon the Professional.)

“I fell in love with Keen, wanted her protected and safe, and was seriously pissed at Hugh Jackman for taking so long to wake up to the bond between them. A natural talent, Keen will probably win an Oscar for something or other within 10 or 15 years, mark my words.

“But Logan wore me down with its relentless brutality. I was engaged as far as it went for, oh, 90 or 100 minutes but then I quit. I was the angriest guy in theatre #12, not to mention the oldest. I was muttering ‘Goddammit, Mangold…what the fuck.'”