“I don’t think the [Clinton] campaign…generally ruled to be out of bounds in any number of areas, has a lot of authority on lecturing any else about the tone of a campaign.” — Obama campaign manager David Plouffe speaking earlier today.

The Eye is tracking at 72, 35 and 12 — on a normal weekend the Jessica Alba thriller would be looking at something like $15 million, but tempered by Sunday’s Super Bowl it may dip down to the $11 or $12 million range. Over Her Dead Body is at 65,25 and 4. Strange Wilderness…36, 25 and 2. For whatever reason the significant indicators that the Hannah Montana concert film will be extra-big (as indicated by yesterday’s Fandango report) aren’t showing up in tracking…79, 15 and 4..
Fool’s Gold, opening next week, is now at 81, 33 and 7….decent. Vince Vaughn’s Wild West Comedy Show…28, 11 and 0. Welcome Home Roscoe Jenkins…59, 29 and 5. Definitely Maybe (2.14) is now at 35,29 and 1. Jumper…52, 39 and 6….not bad. Vantage Point (2.22) is at 44, 38 and 4…it could pop.

How will Warner Bros. and the Dark Knight team handle Heath Ledger‘s unrecorded looping sessions? Slate‘s Kim Masters is reporting that “it would be unusual for director Chris Nolan to have all the sound that he wants at this early stage [for a film coming out in July], and that on a big-budget franchise picture like The Dark Knight, a producer opines, “looping would be the norm.”

The obvious solution would be to use a voice artist “and there are rumors that the studio will do that,” Masters writes. “If so, the studio’s denials would be understandable: Warner wouldn’t want the public to be listening for variations in the voice when the movie is released. But the producer assures: ‘With a good voice artist, you would never know the difference.'”

“Feb. 5th isn’t going to decide anything for Obama or against, and tomorrow night isn’t the American Idol finale. Remember [that] the Democrats don’t play the ‘Winner Take All Game’ with delegates that the GOP does. I expect Obama to lose California, but lose close. At the end of the day though, he’s going to come away with a huge chunk of delegates from California. And Feb. 12th isn’t going to settle much either. In a way, look to April…Ohio, Pennslyania.
“Obama just got himself 170,000 new contributors after N.H. Those people aren’t going to be voting for Hillary. I’d bet that a majority of Edwards Supporters (particularly here in California) are going for Obama.
“Also, Florida was very interesting. 59% of the votes cast in Florida were done through early voting. Hillary creamed Obama among early voters. But among voters deciding late, among voters who decided at the polls the day of the primary, they split 50-50. (This is a concern in California as well as more and more people vote early).
“The bottom line is that Obama is in it to win it. This is no joke. The needle is moving in his direction.” — HE reader Malcolm Johnson.

The unrated extended edition DVD of American Gangster coming out on 2.19 will run 174 minutes vs. the 157-minute theatrical version. As I said in my original review, I could easily rolled with a three-hour theatrical cut.

The usual February dog days aren’t as canine as they could be. Screenings of City of Men, The Eye, Young at Heart, Diary of the Dead, The Hottie and the Nottie, Cover, The Witnesses, Snow Angels. (What about Vantage Point?) In Bruges, The Band’s Visit and Fool’s Gold (HE favorite Matthew McConaughey!) opening on 2.8; Be Kind Rewind, The Counterfeiters and Vantage Point on 2.22; Chop Shop on 2.27 in NYC; Chicago 10 (limited); City of Men and The Other Boleyn Girl on 2.29. Plus the will-they-or-won’t-they-happen Oscars, special screenings, script reviews, next week’s DVD of The Assassination of Jesse James by the Coward Robert Ford, etc (which, of course, will be bare-bones to allow for a subsequent “director’s cut with extras” version down the road.)

How does a neutral observer square “more WGA progress” and “things are looking very good” (posted two days ago by the WGA-friendly Nikki Finke) with Michael Ceiply‘s 1.31 N.Y. Times report about Phil Alden Robinson‘s United Hollywood 1.29 post saying the DGA deal is wrong for the WGA and calling for a toughened bargaining position?
I’m not getting a conciliatory let’s-build-upon-the-DGA deal, things-are-starting- to-coalesce vibe at all. (Consider also this Alan Rosenberg/Doug Allen letter to SAG membership letter.) Feels like the same-old digging in the heels. Ceiply concludes with a paragraph that says that Robinson and Jeff Hermanson, the writers√ɬ¢√¢‚Äö¬¨√¢‚Äû¬¢ strike coordinator, recently met with Academy chiefs “to hear their case for allowing the Oscar ceremony to proceed without interference by strikers. The guild officials told academy leaders they believed the strike might be settled by 2.24, when the ceremony is scheduled for broadcast by ABC. If not, they said the ceremony would be picketed.”

Imagine the complex thoughts and emotions being experienced by those ten L.A. motorcycle cops as they roared down Coldwater Canyon last night (actually this morning), accompanying an ambulance carrying the permanently fried, baked and scattered Britney Spears, the ultimate meltdown/basket case of our times, along with two squad cars and a handful of SUVs on a trip to a medical facility at UCLA. (Her psychiatrist apparently felt her frazzled state of mind demanded a lockdown evaluation.)

You’re vrooming along on your bike and saying to yourself, “This is my life…look at this! I get paid either way but this is embarassing. I’m an officer of the law by day but right now I’m a paid goon, like a buffed-up spear-carrying guard in a Cecil B. DeMille Biblical spectacle…I’m part of a deranged psychiatric circus. I’ll be reading about myself in the supermarket tabs this weekend. I feel used, abused. The sickness…the madness!”
Paying the least bit of attention to this grotesque spectacle is like glancing at Medusa; one look and you’re infected.