Day: July 4, 2013

I for one don’t hold with the idea that disco and the disco era (’74 to ’80) has been “gravely misunderstood”, as Jamie Kastner‘s The Secret Disco Revolution maintains. It was actually “a time of liberation for gays, blacks and women,” he’s saying. To a certain extent he’s right, I suppose, but when disco was peaking a lot of people like myself were somewhere between intensely put off and revolted. Okay, I went to Studio 54 like everyone else, yes, and I did a line or two there and even had fumbling, incomplete sex in the balcony once and yes, I loved dancing to “Don’t You Want Me, Baby?” and “Gloria.” I strangely enjoyed those times. Which is why, apart from liking the film and wanting to discuss it, I asked to speak with Kastner.

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The Film Experience‘s Nathaniel R. is calling Albert Brooks‘ Lost in America (’85) a significant Independence Day film. In fact, Rogers calls it “an obvious, easy choice.” Brilliant, hilarious and endlessly rewatchable as Brooks film is, is there anyone out there who has said to themselves or their friends, “Lost in America? You have to ask? Totally great film to watch on the 4th of July!”

LIA “has a great many trenchant observations about American lives in the Reagan years in the form of its willfully self-deluded yuppies played by Julie Hagerty and Brooks himself,” he writes, “but the myths it demolishes about following one’s heart and all that cuts much deeper into the national psyche than satirizing just one decade. Constantly hilarious in a characteristically deadpan, mordant way, Lost in America is easily the most cynical title on this list, cynical enough that a less gifted comic mind might not have been able to balance out the humor with the acid, but there’s no rule that a national holiday can’t be used as a time for frank self-reflection and an acknowledgement of the nation’s character flaws.”

I’ve been waiting for years to find a decent YouTube clip of Warren Beatty as Milton Armitage, the snooty and in almost all ways superior nemesis of Dwayne Hickman in the first season (’59-’60) of The Many Loves of Dobie Gillis. Only now with the entire series recently released on DVD can the full flavor of Armitage be re-appreciated. What a shit, and yet a shit whom Beatty (along with the writers, of course) labored mightily to mock at every turn.

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I could have danced on the grave celebrated acknowledged the sad failure of The Lone Ranger to cut the box-office mustard much earlier in the day, but I was having too good a time. Pic took in less than $10 million yesterday, which translates into $40 million-plus for the weekend. Not good enough! It had to do at least $60 or $70 million! “A train wreck…another John Carter for Disney,” says Variety‘s Andrew Stewart. Failure! Anemic!

Oh, look, look…here comes Gore Verbinski, Johnny Depp and Jerry Bruckheimer. Wait…is that them? Oh, God, it is. Quick — cross the street so we don’t have to commiserate and tell them we love the film and that they should all be proud or some shit. Oh, fuck, they’ve seen us. Oh, fuck, they’re waving. Okay, let’s make the best of this…wave back.

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