Glimpse of Box-Office History

I caught the 12:10 pm show of The Fault In Our Stars today at the Grove. Mostly groups of young girls in theatre #1, of course, but the place wasn’t packed. I was half-impressed. It tries a little too hard to melt people down, of course, being what it is. The filmmakers trumpet their sensitive feelings about the ineffable sadness of being removed from life’s symphony at a much-too-early age, and at times they tap you on the shoulder to say “just reminding you that we’re coming from a really delicate place.” But Stars is not bad at all with the LMN mode. I never twitched or flinched or groaned. It’s reasonably well done all around, and the acting by Shailene Woodley and Ansel Elgort takes root early on. They’re both quite alive and well-measured and engaged, and Willem Dafoe adds a little abrasive pepper in a cameo-sized role as a Dutch writer. Stars is expected to earn $50 million by Sunday night, and in so doing beat Edge of Tomorrow. I’ll tap out something tonight or first thing tomorrow. I have an engagement this evening and jetlag is giving me the usual rough going-over. I feel like I’m tripping half the time.

Save Me From This

A little movie that I really, really don’t want to suffer through is looking like a bigger hit — certainly a more surprising hit — than Warner Bros.’ Edge of Tomorrow. Deadline‘s Anita Busch is reporting that the imaginative Doug Liman-Tom Cruise sci-fi actioner made a lousy $1.8 million in 3-D/IMAX venues last night while Fox 2000′s The Fault In Our Stars earned a what-the-fuck $8.2 million. Busch says she wouldn’t be surprised if Stars earns over $40 million by Sunday night. I wouldn’t be surprised if I have a difficult time when I see it on Saturday or Sunday. I despise movies about kids coping with terminal cancer. The stink of premeditation…the cloying emotionality!

Vernon’s Grace Note

I love this clip from Don Siegel‘s Charley Varrick (’73), in which Walter Matthau tells John Vernon that he wants to return a pile of ill-gotten mafia money. Just after 1:03 Vernon conveys something about occasional serendipity with a wonderful economy, using a gently changed expression and a little gesture with his left hand. It’s perfect. In ’85 I was working in publicity and had a chance to speak to Vernon on the set of Hail To The Chief, a TV series about a female U.S. President (Patty Duke) in which he played a hawkish military advisor. I told Vernon I was a huge admirer of this little bit of acting, and he didn’t seem to get what I was saying. He just brushed it aside and indicated he wouldn’t mind if I left him alone. I didn’t decide he was an ayehole because of this (although his behavior was a bit dickish), but I was a bit surprised that he didn’t seem to feel any particular pride about his work in Varrick. Or that he did feel this but didn’t care to share it with a fan…whatever. Vernon died in ’05.

Zac Delon

The first thing I popped into the Oppo when I got home last night was the Criterion Bluray of Michelangelo Antonioni‘s L’Eclisse (’62). And about halfway through the striking resemblance between 26 year-old Alain Delon and Zac Efron, currently 26, hit me. Many others have noticed this. Question #1: Who has/had the most interesting face? Question #2: Who was/is the more interesting actor? Could a time-transported Efron have held his own in scenes with Monica Vitti in the Antonioni film? Could Delon have managed the song-and-dance stuff in High School Musical?


(l.) 26 year-old Alain Delon in Michelangelo Antonioni’s L’eclisse; (r.) Zac Efron, born in October 1987, currently 26.

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