First Apparent Dismissal Of A Possibly Interesting 2015 Film

You’d think that a drama directed by the widely respected Jonathan Demme, written by Diablo Cody and starring Meryl Streep and Kevin Kline would at least theoretically warrant an award-season release. Except TriStar, which is not exactly known as a distributor of prestige-level, award-worthy cinema, is opening Demme’s Ricki and the Flash, on Friday, August … Read more

It’s Up To Feinberg

Tonight the Santa Barbara Film Festival will honor five outstanding directors — Whiplash‘s Damian Chazelle, Boyhood‘s Richard Linklater, Foxcatcher‘s Bennett Miller, Citizenfour‘s Laura Poitras and The Imitation Game‘s Morten Tyldum. Moderator Scott Feinberg will, of course, be expected to avoid any questions that won’t be kissy-face in nature, but if he wanted to conduct a … Read more

The White Side

Niki Caro‘s McFarland USA (Disney, 2.20), which screens this Saturday at the Santa Barbara Film Festival, has been given a mixed-respectful review by Variety‘s Justin Chang. In keeping with the politically correct view that white guys are a drag and ethnics are more planted and soulful, Chang complains that the film, a Hoosiers-like tale of a downmarket Latino track team winning big, “is treated as a Kevin Costner vehicle first and foremost.” Pic “earns points for its big-hearted portrait of life in an impoverished California farming town, but with its overriding emphasis on how Coach Costner fits into that world, it never sheds its outsider perspective, ultimately emerging a well-intentioned mix of compassion and condescension.

“Not unlike The Blind Side, McFarland, USA is likely to generate some criticism for being the umpteenth film about a white guy productively intervening in the lives of underprivileged minority youth — a charge that has less to do with the facts of Jim White’s genuinely inspiring legacy than with the particular dramatic emphasis that Caro has given them here. Pic “feels at once mildly progressive and unavoidably retrograde. It presents brief, obligatory snapshots of how the other half lives without ever seeming deeply invested, or even particularly interested, in what it’s showing us.

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Knight of Cups Peek-Out on Sunday

The first screening of Terrence Malick‘s Knight of Cups, apparently another “stream-of-consciousness”, tossing-high-the-lettuce-leaves experience with a dessicated Hollywood slant, will happen at the Berlinale this Sunday at 7 pm, or 10 am Los Angeles time. The first tweets should begin to circulate in the early afternoon. Knight of Cups is a kind of time-capsule film … Read more

Fuck Is This?

I wanted to watch Keira Knightley do the When Harry Met Sally orgasm scene, but I had to sit through a lot of bullshit besides. It’s part of Jason Bell’s “British Invasion” short film in Vanity Fair‘s Hollywood issue. Tom Hiddleston and Felicity Jones doing Beatty and Dunaway in Bonnie and Clyde…not good enough. James … Read more

Mild Letdown

The coolest…okay, the most striking aspect of Mark Seal‘s Vanity Fair piece about the Sony hack is Sean McCabe‘s Photoshopped image of Seth Rogen, Amy Pascal, Michael Lynton and James Franco outside the Sony gates. The article includes a few intriguing quotes and anecdotes, but it’s essentially a boilerplate recap of a story that everyone … Read more

Refuses To Grow, Doomed To Repeat

The opening solo bit (which you could process as a tribute to steel-welder Jennifer Beals in Flashdance) is terrific, but then it shifts back into the same old whoo-whoo, hedonistic, male-stripping realm that Channing Tatum inhabited in Steven Soderbergh‘s original Magic Mike, and which he grew out of by the end because he’d fallen in … Read more