John Ortiz to Tom Hardy: “No one ever sees you comin’…do they, Bob?” Perfect and even legendary as this line is, it didn’t quite ignite when I first saw The Drop a little more than a year ago in Toronto. I didn’t feel it until I saw it the second time in Los Angeles, and now it’s considered one of the greatest end-of-the-flick kicker lines in history, right up there with “Nobody’s perfect” and all the others.
Bill Maher: “I don’t want to sound like Donald Trump, Hillary, but your campaign stinks and your numbers are terrible…and that laugh…the one that makes people think you’re the Wicked Witch of The West Wing.” (And eye bags! I know they’re not funny because too many people have them and they’re not a criminal offense, but eye bags are a very pungent metaphor.) Best line in whole riff: Scott Walker “looks like a drunk in a silent movie who’s just been punched by mistake.”
For whatever reason nobody has commented much about F. Gary Gray‘s Straight Outta Compton, which I saw and liked in late July (“A tight, satisfying, straight-ahead telling of the N.W.A. saga…quite an indictment of police racism and brutality past and present”). It opened yesterday, of course. It may earn as much as $59 or $60 million by Sunday night, according to Boxoffice.com. (As of noon today a piece by Boxofficemojo’s Keith Simanton was predicting a $40 million weekend.) So what’s the verdict? Presumably a decent-sized portion of HE regulars caught it last night. I respect this film. It does a lot of things right. It’s not an award-calibre deal but so what? It’s well made and feels honest as far as that goes. It’s a hit for the right reasons.


“I’m aware that my ass looks like a bag of flapjacks. But I’m not trying to be the best-looking broad in the world. At a certain point you start asking yourself, ‘What really is sexy?’ It’s not just the elevation of your boobs. It’s being present and having fun and liking yourself enough to like the person that’s with you. If I believed that sexy was trying to be who I was when I did Basic Instinct, then we’d all be having a hard day today.” — Sharon Stone, 57, talk to Christopher Bagley for a Harper’s Bazaar piece that (a) is about promoting Agent X, a forthcoming TNT series in which Stone will play the vice-president of the U.S., and (b) includes three attractive black-and-white nude shots. She looks pretty great.
Except, as usual, she doesn’t look like herself. Her face, I mean. Four and a half years ago I noted that she’d obviously had transformative facial work done, and the photographs by Mark Abrahams reiterate that. I’m all in favor of tasteful touch-ups but getting Zellweger-ered is surreal — surely one of the creepiest indulgences of the well-to-do-class in world history. We’re living in a Terry Gilliam movie. They look like a certain someone for two or three decades, and then they go under the knife and they’re someone else entirely. Not internally, of course, but what a metaphor!



“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...