Goodfellas

Scott Feinberg did it right in Santa Barbara last night. The Hollywood Reporter columnist kept last night’s group interview with the five Oscar nominees for Best DirectorRoom‘s Lenny Abrahamson, The Revenant‘s Alejandro G. Iñárritu, Spotlight‘s Tom McCarthy, The Big Short‘s Adam McKay and Mad Max: Fury Road‘s George Miller — to a tolerable two hours, and it just seemed to zip along. And it was funny at times. And I got into the after-party (thanks to Sunshine Sachs’ Brooke Blumberg) and had some chummy words with Inarritu, etc. A good night, zero frustrations, bons amis.


Oscar-nominated directors on the Arlington theatre stage (l. to. r.): Room‘s Lenny Abrahamson, The Revenant‘s Alejandro G. Iñárritu, Spotlight‘s Tom McCarthy, Mad Max: Fury Road‘s George Miller and The Big Short‘s Adam McKay.

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Big BAFTA Reckoning (They’re All Flying to London Today) Won’t Change The Inevitable

Pete Hammond suspects that Adam McKay‘s The Big Short will win the Best Picture Oscar. He believes that if The Big Short wins the top BAFTA award on Sunday night, “It’s over.” But you know something? During the film-clip reel at the start of last night’s Directors Tribute at the Santa Barbara Film Festival, The Revenant got the biggest applause. It was only a gathering of well-to-do Santa Barbara film fanatics, yes, but you could feel it — The Revenant has the most passionate following. I’m a devoted Spotlight fan, but my insect antennae is telling me that The Revenant will take the big prize on 2.28. It has the most Oscar nominations, Alejandro G. Inarritu won the DGA award, Leonardo DiCaprio is locked for Best Actor, it won the Golden Globe award for Best Picture, Drama, etc. Oscar voting began today — Friday, 2.12.16 — at 8 am Pacific. Voting closes on Tuesday, 2.23.16 at 5 pm Pacific.

What’s Wrong With An Aging Porn Star Trying To Branch Out, Take Part in The Political Process?

Ted Cruz’s campaign has pulled an anti-Marco Rubio ad (i.e., a kind of “Conservatives Anonymous” discussion group scenario) after learning that the ad features Amy Lindsay, an adult film actress who’s pushing 40 and was simply looking to expand her repertoire. What’s wrong with an actress trying to grow her life and deepen things a bit by appearing in a prominent political ad?

I understand why the Cruz campaign guys panicked, but maybe they shouldn’t have? If you’re any kind of fair-minded human being you have to believe in potential, growth, tomorrows, transcendence. Deep-sixing an Amy ad just because she’s “done” a parade of guys on camera seems heartless. Is she not human? Does she not have thoughts and rights? Does she not pay taxes?

Lindsay’s IMDB page list credits going back to to 1994, which indicates she was born in the mid to late ’70s. Her credits include Passion Lane, Indecent Disclosure, Animal Lust, Deviant Whores, Kinky Sex Club, Exposed and Insatiable Obsession, as well as an appearance The Portrait of a Lady (’96) which costarred Nicole Kidman and John Malkovich.

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The Pride and the Passion

I haven’t yet had the pleasure of catching Zoolander 2, but Leonard Maltin has. And he broke a career tradition by walking out. Which he never does, he says. Ever. But I’ve been proudly and decisively walking out on certain films for decades, and I’ve never looked back. With some films walking out is an act of dignity and self-respect. The feeling of pride when you bail on a rancid film is wonderful.

So okay, yes…perhaps it wouldn’t mean as much if I bailed on Zoolander 2. But a Maltin walk-out matters.

“As I embarked on the experience of watching Zoolander 2 at a press screening the other night, I had an immediate reaction of annoyance and impatience,” he writes. “The film was stupid right from the start. I told myself that I was wasting my time for no good reason. But I stayed. Ten minutes passed, then twenty, filled with puerile and unfunny gags; along with gratuitous cameo appearances by everyone from Katy Perry to Willie Nelson. If even one of them had seemed clever I might have summoned some hope for the rest of the picture, but it was not to be.

“Mind you, I thought the original Zoolander was pretty funny. I had no reason to expect this one to be so much worse. But it is.

“Finally, after almost an hour, I strode out of the theater, proud of myself for taking positive action and sparing myself further insult. If there are hilarious moments in the latter half of the movie I can’t cite them for you. I can only offer an honest appraisal of what I saw. I bear no permanent grudge against anyone connected with the movie and hope they do better the next time out.

“By the way, it felt good to get home earlier than usual, and I think I turned a corner. Life is too short to spend two hours in a state of total exasperation.”

In other words, Maltin, who’s been in this racket since the ’60s, has finally gotten to a place where I’ve been since the ’80s.

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