Don’t Do Him Like That

I don’t know which aspect of Kanye West‘s Jesus Is King is more grotesque. The notion of the profligate Kanye expressing strong allegiance for the teachings of Yeshua of Nazareth plus the ongoing obscenity that is Donald Trump. (Or has he backed away from the Trump pallyhood?) Maybe it’s the idea of a super-rich, notoriously flaky superstar promoting King Jesus aka Judean Badass, King Shit of Bethlehem, the boss of bosses. Or the idea of IMAX somehow making an allegedly spiritual venture feel more righteous.

Jesus Is King obviously wasn’t made for your generic West Hollywood smart-ass types but the devotional gospel crowd — I get that. HE nonetheless disapproves.

Long Good Saturday

One discussion panel and two (or possibly three) films today at the Middleburg Film Festival: (a) “Talk Back to the Critics” — DC-area film critics kicking it all around — Travis Hopson (News Channel 8, WETA Around Town), Nell Minow (rogerebert.com), Susan Wloszczyna (GoldDerby.com), Jason Fraley (Entertainment Editor, WTOP)and Tim Gordon (FIlmGordon) — 2 pm at Old Ox Brewery; (b) Destin Daniel Cretton‘s Just Mercy, a fact-based “noble lawyer struggles to get innocent guy out of jail” drama with Michael B. Jordan, Jamie Foxx, Brie Larson — 3:15 pm at Hill School; (c) toss-up between catching a 6:30 pm screening of Alma Har’el‘s Honey Boy, written by Shia LaBeouf and based on his childhood relationship with dear old shitheel dad, or just sitting down somewhere and writing for an hour or so; and (d) Rian Johnson‘s Knives Out, at long last — 8:30 pm, Hill School.

Questioning “Jojo” Mojo

In a 10.16 “On Second Thought” essay N.Y. Times critic A.O. Scott regards Taika Watiti‘s JoJo Rabbit in the same authoritarian-mocking tradition as Charlie Chaplin‘s The Great Dictator (’40), Ernst Lubitsch‘s To Be Or Not To Be (’42) along with the less respected 1983 Mel Brooks remake, not to mention Brooks’ “Springtime for Hitler”, an inadvertently successful Broadway musical within the fictitious context of The Producers (’67), and the WWII German-spoofing in Hogan’s Heroes.

“But what if we don’t live in that world?,” Scott asks. “For a long time, laughing at historical Nazis has seemed like a painless moral booster shot, a way of keeping the really bad stuff they represent safely contained in the past. Maybe that was always wishful thinking.

“Recent history shows that the medicine of laughter can have scary side effects. Fascism has crawled out of the dust pile of history, striking familiar poses, sometimes with tongue in cheek. It has been amply documented that ‘ironic’ expressions of bigotry and anti-Semitism — jokes and memes on social media; facetious trolling of the politically correct; slurs as exercises in free speech — can evolve over time into the real thing. A dress-up costume can be mistaken for a uniform, including by its wearer.”

So Scott is saying that anti-Nazi humor doesn’t have the bite or relevance that it once had, and that on a cultural-processing level Jojo Rabbit may not be the anti-hate satire that its admirers believe it to be? Something like that. My first reaction to Jojo was why reach all the way back to 75-year-old Nazi culture to deliver an anti-racist message? Why not fiddle around with anti-immigrant Trumpster sentiments or focus on the go-along child of an ICE officer…something in that vein? Why use the filter of WWII history when it probably doesn’t register all that strongly with a good portion of the audience?

Side issue: David Poland has become an unofficial award-season Twitter lobbyist for Jojo Rabbit. As the Poland ardor ebbs or surges, so goes the campaign itself. Keep close tabs.

Red Sparrow Smear Against Gabbard

A little voice is asking why are Hillary Clinton and other Democratic establishment voices (including The New York Times) trying to unambiguously discredit Rep. Tulsi Gabbard by declaring she’a some kind of Manchurian Candidate? This level of disparagement feels suspicious. A non-interventionist against regime-change wars, sure, but the last time I checked she was also a Bernie-adhering social progressive who supports Medicare for All and wants Roe v. Wade strengthened.

AXIOS’ Marisa Fernandez, posted yesterday (10.18): “(a) Gabbard’s foreign policy stances significantly differ from other top Democratic candidates, especially on Syria. She has controversially defended Syrian dictator, Bashar al-Assad, and met with him on a secret trip to Syria in 2017; (b) The New York Times reported that alt-right internet stars, white nationalists and Russians have praised her campaign; (c) CNN analyst Bakari Sellers called Gabbard a ‘puppet for the Russian government.’ He said, ‘That’s not just an allegation…I firmly believe that Tulsi Gabbard stands on that stage and is the antithesis to what the other 11 individuals stand for, specially when it comes to issues such as foreign policy’; (d) At this week’s Democratic debate, Gabbard condemned news outlets like the Times and CNN, saying it was ‘completely despicable’ to call her an asset to Russia.”

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“My God, Bill…”

“Are you suggesting we pay this man to go away? Yes, that’s exactly what I’m suggesting. In fact, I’m insisting. Mr. President, it’s really very simple — you love money, we hate you.” — from last night’s “Prickstarter” riff.