Sadness, Respect

Pete BUDDHA-judge “is a polyglot. He’s conversational in Spanish, Italian, Maltese, Arabic, Farsi and French, and taught himself to speak Norwegian. He also plays guitar and piano, and in 2013 performed with the South Bend Symphony Orchestra as a guest piano soloist.” — from Mayor Pete’s Wikipage.

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Horror of Too-Short Hair

There was always something in me that loved slightly longer, grown-out hair, and was oddly repelled by too-short hair — West Point hair, cop hair, whitewalls, undercuts, Hitler youth, etc. To this day I’m vaguely put off by the sight of some guy’s closely-shorn scalp. But at the same time I understand and can roll with cue-ball heads.

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Moviegoing With James Wells!

My father was the last guy in the world you wanted to watch a movie with. Or at least he was when I was young. He was the Ultimate Moviegoing Killjoy.

Every so often he’d take me to a film, but for some reason he so hated watching films in the usual way (i.e., from the beginning) that we’d never arrive before the film started but always around the three-fourths mark. 20 or 25 minutes before the ending. We’d watch the conclusion, wait for the next show to start, and then watch the three-fourths or four-fifths that we’d missed and then leave at the point where we came in.

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Horrific, Heartbreaking

How do fires start outside of arson? Electrical sparks, a carelessly tossed burning cigarette…what else? News reports indicate it had something to do with wooden scaffolding that was being used for restoration. A good portion of the main roof has reportedly collapsed; ditto the famous tall spire.

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Years of Ducking “Tits & Dragons”

I watched an episode of Game of Thrones back in 2012, and my immediate response was “this is grandiose melodrama but it’s well made, well acted…intelligent people are behind this.” I’ve watched a few slivers since but never another full episode, and I feel quite serene about that. Mainly because I hate the faux-medieval milieu. I hate those expensively designed, finely stitched tunics and gowns and exquisite fur hoodies and fur-lined seal boots. And I hate stories in which a semi-significant character reveals in Episode 8 that he/she is actually someone else with a heretofore unsuspected agenda or, you know, is secretly descended from a certain well-thought-of character or whatever. I’ve always found Lena Headey foxy but I’ve never been able to decide whose face I hate more — that of Kit Harington or Nikolaj Coster-Waldau. I hate sagas in which little kids are pushed out of windows. I hate pretentious-sounding character names like Daenerys Targaryen, Davos Seaworth, Theon Greyjoy, Tyrion Lannister, Samwell Tarly. I hate the idea of flying dragons despite their gargantuan bulk and weighing at least as much as a blue whale. I hate long-running miniseries that seem to be mainly about perpetuating their own mythology. I guess you could say I hate the general GoT sprawlingness, the go-for-the-bucks attitude, everyone pocketing their paychecks. Fuck all of that.

Parking Lot Ogres

When you pull into a supermarket parking spot, what’s the first thing you do? Turn off the engine and the lights, right? Because you’re about to go shopping and you have no need for either until you return with groceries…right? Except there are sociopaths out there who pull into parking spaces and don’t turn their lights off until 15, 30, 45 or even 60 seconds have elapsed. For no reason that makes any sense to anyone. They just do this. Because they’re sociopaths.

Earlier this evening I was sitting in my little car in the parking lot of West Hollywood Pavilions. Engine off, lights off, surfing Twitter and thinking things over.

Directly across from me a big fat Range Rover pulled in, and as it sat there and sat there with no one getting out, the lights were flashing right in my face for the longest time. The lights were so bright I was squinting and shielding my eyes. After 25 or 30 seconds I was muttering “what the fuck are you doing, man?” After about 60 seconds, the dick behind the wheel finally turned his lights off and got out and went into the market.

For what it’s worth I’ve never done this. After I pull into my spot I kill the lights and the engine because — logic! — I’m there to buy some yogurt, cat food and mineral water, and I won’t need the lights or the engine until I return.

Three or four minutes later a white SUV pulled in next to the Range Rover and did the same damn thing. Sat there, sat there and fucking sat there with the lights still burning. Has the driver changed his/her mind? Is he/she wondering whether he/she should be shopping this evening, or whether there’s something more important that he/she needs to do? Okay, maybe so, but what’s the problem with turning your fucking lights off while you think things over? Has it occured to you that others (i.e., people like myself) might find your super-glarey lights obnoxious? Oh, this hasn’t occured to you? I see.

45 seconds later the lights on the white SUV finally went off. Thanks for the squinting session!

15 minutes later the Range Rover guy returned with a couple of grocery bags. He loaded them into the back seat, got in and turned on the lights. And just fucking sat there again. If you’re like me and you don’t feel like driving off into the night, fine. But why sit in your car with your lights on? Are you doing this to, what, aggravate people or something?

Please turn them off. Please. He didn’t. He wouldn’t. I was sitting there going “you dick, you dick, you dick, you dick…what is your MALFUNCTION?”

Hell is other people in a parking lot.

Criterion Channel Report Card

Eric Kohn’s 4.8 interview with Criterion Channel honcho Peter Becker made no mention of image quality whatsoever. 1080p vs. 720p vs. 4K streaming down the road…nothing. Not to mention a concern that HE readers have shared about Filmstruck streaming occasionally choking and stalling.

A few days ago I asked a Criterion spokesperson if the Criterion Channel is going to be 100% 1080p or not. Answer: “Criterion shows the best format they can secure. The overall goal is to connect the audience with the movies they want to see and not let tech requirements keep good films invisible, but that said they always seek out the best format they can find, and when they improve a master they replace the one they have improved upon.”

To which I replied, “Got it — the Criterion Channel will presumably offer 1080p for the most part but may sometimes show films at 480p or 720p (‘not let tech requirements keep good films invisible’). They will always seek out the best format they can find, cool — but what about 4K streaming, which other providers offer from time to time?” Answer: “4K is not supported at the moment. We’ll see what the future brings.”

HE followup questions: “One, what percentage of Criterion Channel films are being presented at 1080p (HD)? And what percentage are being offered at 480p (DVD standard)? Two, why aren’t the films being offered with a posted assurance that they’re being streamed at 1080p, when applicable? Failing that, why not a general assurance that all films are in HD except when otherwise specified? And three, what’s the problem with 4K streaming? Does it cost too much or something? 4K streaming is becoming more and more common with other services. And so many Criterion upgrades and restorations have been scanned and restored at 4K.”

The response to the last three questions was that the spokesperson couldn’t offer specific percentages as the Criterion Channel is just starting to launch.

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Mayor Pete Announces

Scroll forward to 1:40: “There is no such thing in honest politics that revolves around the word ‘again.’ I’m here to join you to make a little news. My name is Pete Buttigieg. They call me Mayor Pete. I am a proud son of South Bend, Indiana, and I’m running for President of the United States.”

Bibi Andersson and That White Robe

Famed Ingmar Bergman actress Bibi Andersson died today at age 83, after suffering a stroke nine years ago. Seemingly unrelated to HE’s own Harriet Andersson (or am I mistaken?), Bibi had a 14-year peak period between ’57 (costarring roles in Smiles of a Summer Night, The Seventh Seal and Wild Strawberries coupled with an “intense” affair with Bergman) to Bergman’s The Touch (’71, costarring Elliot Gould).

Andersson’s most significant, respected and best-known Bergman role was opposite Liv Ullman in the probing, psychologically layered, somewhat lezzy-ish Persona.

Her other noteworthy performances were in The Passion of Anna (’69), The Kremlin Letter (’70), Scenes from a Marriage (’73), I Never Promised You a Rose Garden (’77), An Enemy of the People (’78), Quintet (’79), The Concorde — Airport ’79 (’79) and Babette’s Feast (’87).

Andersson always delivered a palpable undercurrent. Complex, a bit bothered. Nobody of her generation did moody and vaguely mysterious better or more provocatively.

The fanatics may or may not flinch over the following but Andersson was something of a high-toned Swedish sex object in her ’60s and early ’70s prime. A fair amount of tasteful nude scenes, a brightener of moviegoer imaginations, etc. Anyone who knows her career will tell you this. I shouldn’t mention this for obvious reasons, I realize, but honesty compels it.

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