I haven’t checked in with Seth Rogen in a while. This is him at the Emmy Awards. He looks different. Tatyana doesn’t know Rogen, and I just showed her this photo and asked “how old is this guy?” She guessed 47, 48, in that range. He’s fine, some of us go gray earlier than others, not a big deal. I’m just surprised.
Ted Lasso star and Emmy winner Jason Sudeikis was snapped leaving the Sunset Tower hotel two days ago. What got my attention was the outfit he wore — a tan hoodie and a burgundy trucker hat with gray cargo shorts and Nike sneakers. I hate anything burgundy, but paired with a tan hoodie…God! Two and 1/3 years ago I tried to explain my burgundy revulsion.
Friendo to HE: “I dare you to watch Dear Evan Hansen all the way through. All 137 minutes of it.”
Thursday, 9.23, 8:40 am: Jesus…not a peep. Time was when George Clooney teaming with Ben Affleck would’ve meant something, stirred the pot, ignited some chatter. Flatline.
BFI LONDON FILM FESTIVAL PEEK–OUT:
Indie filmmaker and pioneering blaxploitation auteur Melvin Van Peebles (Sweet Sweetback’s Badasssss Song, Watermelon Man, Classified X) has passed at age 89. Due respect and condolences to family, friends, fans and colleagues. A breakthrough artist and a go-his-own-way giant among black directors in the ’60s and’70s, Van Peebles paved the way for many who followed in his wake. He also wrote four novels, at least one respected play (La Fête à Harlem) and a collection of short stories; also a smart Wall Street investor. Melvin was the father of actor-director Mario Van Peebles.
A couple of days ago World of Reel‘s Jordan Ruimy posted the results of a 40-critic poll about films that had played at the 2021 Toronto Film Festival. Film critics are generally too dweeby as a rule and their favorites rarely synch with the preferences of Joe and Jane Popcorn, but at least they brushed aside Kenneth Branagh‘s Belfast, the TIFF People’s Choice award winner.
Of all the films voted upon, Branagh’s finished 30th with a piddly three votes to its name.
I’m not suggesting that these and other critics should write a letter to Sid Ganis about his remark, shared during the recent Telluride Film Festival, that Belfast was one of the best films he’d ever seen in his life. But if they were to compose such a letter and send a hard copy to Ganis’s home, it could read something like this:
“Dear Mr. Ganis — There is no one ‘right’ opinion about any film, and we, the undersigned, are certainly not saying that you misjudged Kenneth Branagh‘s Belfast or that your comment to Deadline‘s Pete Hammond needs to be reevaluated or recanted. You have an absolute right to your view. No one is suggesting otherwise.
“But by the same token we have a right to our own shared opinion, no offense, which is that Belfast is a movie for the chumps. Which is why we didn’t even consider rating it as one of the top 20 films of the just-concluded Toronto Film Festival, or even among the top 30.
“By all means go with God, embrace Belfast, tell your Academy-member friends how wonderful it is…all to the good. But when we, the undersigned, considered the opinion that you shared with Hammond earlier this month, the blood, no offense, drained from our faces. — Respectfully, the World of Reel 40.”
Before yesterday I’d never seen the cover of the hardback edition of Quentin Tarantino‘s novelization of Once Upon A Time in Hollywood. (I own the paperback version.) It may be appears to be a fan-created book cover. Nonetheless we’re all familiar with Quentin’s female foot fetish; ditto why he told Margaret Qualley to put her bare feet on the dashboard of Brad Pitt‘s car. Everything is subjective but HE is distressed by the resemblance to my own damn feet…God. HE’s personal preference is after the jump.
If a reporter or editor puts quote marks around a term, it means that he/she regards the term as exotic and to some degree suspect. Especially if they qualify it by adding “so-called”.
It goes without saying that this kind of usage can be self-revealing.
If a reporter or editor puts quotes around “systemic racism” with a “so-called” qualifier, they would be instantly suspected of being Republicans if not white supremacists and probably fired and ex-communicated. Same result if they were to post an article that used the term “so-called ‘sexual harassment'”. Ditto if a reporter or editor were to publish an article that included “so-called ‘climate change'” — only a rightwing denialist would use such terminology.
So we know where Variety reporter Jamie Lang (and/or his editor) is coming from when an opening paragraph about a Johnny Depp press conference at the San Sebastian Film Festival reads as follows:
“Johnny Depp was only meant to be asked questions relating to his career during a press conference preceding his Donostia Awards reception at the San Sebastian Film Festival. But in response to one journalist’s bold attempt to parse the actor’s thoughts on so-called ‘cancel culture’ and how social media can affect public figures, Depp did not hold back.”
The difference is that Variety has no problem with alluding to “cancel culture” as a dubious or iffy term.
