“The Matrix: Regurgitations is a fucking ridiculous disaster of a film…that reads like a piece of clumsy fan fiction, written by a sweaty, overweight teenager from 2004…it accomplishes absolutely nothing….never should have been made.”
“The Matrix: Regurgitations is a fucking ridiculous disaster of a film…that reads like a piece of clumsy fan fiction, written by a sweaty, overweight teenager from 2004…it accomplishes absolutely nothing….never should have been made.”
I was diagnosed with Omicron eight days ago and had more or less shed the effects of the virus by last Friday (12.24). The CDC says if I’m triple vaxxed and masked I’m good for roaming around and shopping, etc. I’m now triple bullet-proofed (three stabs + naturally enhanced post-Covid defenses + German genes) — less likely than ever to succumb.
Last night, feeling jazzed about rediscovering Taylor Hackford‘s Proof of Life and realizing it’s a lot better than I’d recalled, I rewatched another violent, crime-related Russell Crowe film from the aughts — Ridley Scott‘s American Gangster (’07).
It remains a sturdy, absorbing, culturally fascinating, Sidney Lumet-like depiction of the rise and fall of heroin importer Frank Lucas (Denzel Washington) and the scrappy, scrupulously honest detective, Richie Roberts (Crowe), who eventually busted and prosecuted Lucas in ’75 and ’76.
AG opened 14 years ago, and plays just as grippingly as ever — no diminishment, constantly engaging, stepped in the lore of Harlem and North Jersey. And my God, Denzel (52 during filming, now 67) looks so young! Younger, in fact, than he did in Spike Lee‘s Inside Man (’06). And what a murderer’s row of African American (or African British) players — Chiwetel Ejiofor, RZA, Cuba Gooding Jr., Joe Morton, Idris Elba, Common, the late Clarence Williams III, Ruby Dee, Roger Guenveur Smith, Malcolm Goodwin.
I was struck again by how satisfyingly well made this film is, as good in its own New York City way (the clutter and crap of the streets, high on those uptown fumes) as Lumet’s Prince of the City (’81).
One reason it plays so well, I was telling myself last night, is that big-studio movies, free from the influence of the superhero plague that was just around the corner in ’06, were generally a lot better in the aughts than they are now. 2007, remember, was one of the great all-time years.
Incidentally: I’ve never watched the 176-minute “Unrated Extended Edition” of American Gangster. Has anyone?
…for the coming Democratic Party apocalypse is the anti–meritocracy education thing (i.e., deliberately lowering standards to make things more accessible for students of color). Instructing students about the history of American racism is a vital and necessary thing, but telling parents of smart or otherwise gifted students that merit and scholastic aptitude have no value or place in today’s system because we need to give less advantaged kids more of a chance…this + “parents need to butt out of this as their concerns are imaginary plus professional educators know best”…that is a FUCKING DEATH BOMB.
An excerpt from a 12.28 Matt Taibbi article titled “The Democrats Education Lunacies Will Bring Back Trump”:
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