“You Mean You Let ‘Em Get Away…TWICE?”

In the minds of 97% of film lovers, Nehemiah Persoff is remembered for one and only one role — the bald-headed “Little Bonaparte” in Some Like It Hot.

Yes, he played the cab driver who drove Rod Steiger to his doom in On The Waterfront, but that didn’t count because Persoff didn’t say anything — he just glared.

Persoff was also in a ton of other films and TV shows, but at the end of the day there is only Little Bonaparte and more particularly his answer to Pat O’Brien‘s “what happened here?” at the end of the banquet scene.

Bonaparte: “There was somethin’ in that cake that didn’t agree with them.”

Persoff died today at age 102. Respect and condolences.

Aging Tech Doesn’t Sell

I’m trying to unload my whole TV, streaming and Bluray set-up — a 65″ 4K UHD Sony TV with internal side speakers (SONY XBR-65X930C — 6 years old but in excellent shape) + Sony 4K Bluray player (18 months old) + Oppo Bluray set for Region 2 Blurays + Marantz AVR (audio-visual receiver) + Sony wireless earphones + external bass woofer speaker + wooden stand-console that holds all these devices as a single unit…the whole kit & kaboodle for only $1200.

And nobody wants it. Because nobody wants a 2016 TV, and nobody cares about Region 1 and 2 Bluray players, much less a Marantz AVR. The wireless headphone set-up might be of faint interest, but I’m insisting on selling everything as a big bundle. I would probably have trouble selling the TV if it was three or four years old. Everyone wants something brand-spanking new, of course.

It’s a first-rate living room set-up, but I guess it stays here.

Ukrainian Filmmaker Sniffing for Work

A director friend passed this along last night. A plea for work from Roman Perfilyev, a married Ukrainian film director and motion designer from Kyiv and a refugee from the current horror. As I know and trust the director, I’m presuming the contents of the letter are legit.

“I’m currently in the U.S. fleeing from the war with my wife and three-year-old old son. I’m looking for the opportunity to work in the US film industry so I’ve attached my resume and links to this email which represents my experience.

My IMDB page: https://www.imdb.com/name/nm9539414/

The Inglorious Serfs — Full-length movie; 2021 (director, scriptwriter)
Trailer — https://www.youtube.com/watch?v=yULObtOYKxI&t=2s
Full movie – https://www.youtube.com/watch?v=u63-7BxZYSs (English subtitles are available)

Showreel (commercial 2022) – https://www.youtube.com/watch?v=_dUKjjTVfe8 (client: Artgrid.io)

33 — Full-length movie (TBS); 2022 (director)
Teaser – https://www.youtube.com/watch?v=dtnZ5YnQIhA

I also know how to make films based on a micro-budget.

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Keep Your Happiness Pills

Whenever someone asks if I’m happy, I always say “yeah, pretty much…within the bounds of the usual day-to-day hassles and hurdles and that HE burden that I carry around all day like a mule…moderately happy, sure.”

I’ve always found life demanding, of course, but meeting that challenge on a daily basis is satisfying, which you could call “happiness” if you wanted to. Plus those unexpected moments of peace and beauty and solace that drop in now and then. Plus the general ability to deal with life on a healthy, sensible, energetic basis.

Happiness is not bliss. Bliss is a whole ‘nother thing…a state of mind that comes and goes (but mostly comes) when you’re young.

Have I ever known bliss as a daily companion? Have I ever laughed often and smiled like an idiot and felt ecstatic about nearly everything on a day-in-and-day-out basis?

Yeah, when I was hanging with friends in my late teens and early 20s…when I was doing drugs a lot of the time and hitting bars and playing in a band and occasionally getting into wild situations (I was once arrested in the rural South for suspicion of murder) and falling in love over and over. And occasionally getting ghosted by this or that woman…even the bravest and most agile adventurer gets bruised on occasion.

Bliss never lasts, of course, Even rock stars can’t sustain that kind of living. Sooner or later you have to submit to the yoke and the burden and the plowing of fields. If you can work your way through the difficult years of trying to get established in a chosen field or profession…if you can somehow find your solace and strength within that realm, you have the potential to be randomly “happy.”

Happiness Pills,” posted on 11.14.12: It was sometime in the early ’80s when I began using “happiness pills” as a term of disdain and derision. It came from a phoner I did with screenwriter Ed Naha, who later went on to co-write Honey, I Shrunk The Kids (’89). Ed was nice and obviously bright, but a little too euphoric and positive-minded. Alpha, alpha, gimme-a-break alpha. Like he was scared of even glancing at the sardonic or cynical or battle-weary side.

It got to the point in our conversation that I started to mutter to myself, “Is there anything in the world that you’re not fucking delighted by or blissed out about, you relentlessly Pollyannic fuck?” I complained about him later with a friend, saying that he must have been swallowing great handfuls of happiness pills. Ever since then I’ve used this term whenever I meet someone who overdoes the cheerful.

Because it feels like a kind of cover-up. It feels strenuous. Like Sally Hawkins‘ Poppy character in Mike Leigh‘s Happy Go Lucky (’08).

Hawkins’ character epitomizes a sort of person I’ve never been able to tolerate — the emotional fascist who’s relentless about being happy, smiling and sparkly, but who also insists — here’s the problem — on forcing her bubbliness upon others (acquaintances, strangers, anyone) with the ultimate idea of converting them to their way of looking at life, or at least giving them a contact high to take home.

What’s especially oppressive about smiley-faced brownshirts is their determination to gently bully you into submission. If you don’t get on board with the mutual-alpha, they’ll interrogate you like Laurence Olivier‘s Zell (the Nazi character in Marathon Man), looking at you with a quizzical grin and asking, ‘Are you happy?’ or ‘Having a bad day?’ Speaking from experience, I can advise that the best response is ‘I was feeling pretty good, actually, until you asked me that.’

The term ’emotional fascism’ was first coined by Elvis Costello in the ’70s, and it’s real, you bet. There’s a scene when Poppy’s friend Zoe says, ‘You can’t make everyone happy’ and Poppy replies, ‘There’s no harm in trying that, is there?’ I am here to stand up and say that yes, there is harm in it, and would all the Poppy girls of the world please refrain from ever doing so again in my presence? It’s like being beaten with Mao’s little happy-face book during the Great Cultural Revolution.

There are many of us, I’m presuming, who look upon cheery, cock-eyed optimists as people you sometimes have to speak to at parties — sometimes it’s better just to suffer quickly and get it over with so you can move on — but if you see them coming down the street do cross over to the other side and duck into a book store or something, and then stay there for a good 15 minutes, just to be safe.

And yet oddly, I gradually stopped feeling this way after I stopped drinking in March 2012.

Happy fascists are still a drag but they don’t bring me down and make me want to run out of the room like they used to. It may not sound deep, but happiness is a choice, I think. You do have to say “I’m not going to be the mildly judgmental, vaguely pissed-off guy…I’m going to be kinder and gentler and more turn-the-other-cheek about stuff and see how that goes.” Which I’ve been more or less doing. A friend told me the other day that I’m less crazy and less funny without the Pinot Grigio. Maybe.

But I still can’t abide the kind of happiness that seems to come from a place of fear and/or avoidance.

Rydell Kept On Plugging

Remember that scene in Se7en when Brad Pitt‘s character pronounces “Marquis de Sade” as “Markee duh shah-DAY” — an allusion to the pronunciation of Sade, the pop singer who peaked in the ’80s and ’90s? Morgan Freeman tells him the correct pronunciation and Pitt goes “whatever.”

The same thing happens in this amateurish fan video about ’50s teen idol Bobby Rydell, who passed today at age 79.

Toward the end (around the 6:24 mark) the under-educated narrator talks about Rydell “for over 30 years” having performed “over 700 shows” of The Golden Boys with costars Fabian and Frankie Avalon. Except the narrator pronounces Fabian like Fabio — “FAH-bee-AHN.” The name is correctly pronounced “FAY-bee-uhn.”

Nothing But Stand-Alones

Every so often I’ll do a film-review search on the N.Y. Times archive, which links to The Times Machine, which offers digital replicas of the all the Times issues from 1851 to 2002. Every damn time I get distracted by the movie ads placed alongside the review, and before you know it I’m lost in this or that time tunnel.

I’ve noted several stellar years for film releases (1939, 1962, 1971, 1999, 2007) in the past, but which year in the 1950s would qualify along similar lines? I’m not saying that 1954 is on the same level, but it might represent the best of that decade.

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No “Whale” in Cannes

Alas, Darren Aronofsky’s The Whale isn’t ready to be screened at next month’s Cannes Film Festival. That aside, here’s the latest Cannes rundown from World of Reel’s Jordan Ruimy. Disappointment Blvd. may be on the squishy side, but otherwise we’re looking at a likelihood factor between 90% and 95%.

Rest Easy

The French trailer for Baz Luhrmann’s Elvis (Warner Bros., 6.24), now officially confirmed as a Cannes Film Festival attraction, offers nary a sliver of a glimpse of Austin Butler in a fat suit. I am therefore presuming that we can all relax in this regard. No decline years (‘75 to August ‘77), no keeling over on the toilet. Or so it seems.