During a CinemaCon 2022 presentation, Olivia Wilde said that Don't Worry, Darling (Warner Bros., 9.23) had been inspired by Inception, The Matrix and The Truman Show. To that I would add Don Siegel's Invasion of the Body Snatchers ('56), Martin Ritt's No Down Payment ('57) and Bryan Forbes' The Stepford Wives ('75).
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Before moving into Graceland in the spring of ’57, Elvis Presley and his mom and dad (Gladys, Vernon) lived in eight Memphis residences, starting with their initial arrival in November 1948.
Here are the eight addresses, all linked to Google Maps:
1. 370 Washington Ave. (11/48 through early summer of 1949 — $11/weekly rental.)
2. 572 Poplar Avenue, just a block north of 370 Washington.
3. Lauderdale Courts apartments, 185 Winchester Street (9 blocks north of Beale Street) — a two-bedroom, first-floor apartment, #328, for $35 a month. September ’49 to January ’53.
4. A brief stay at 698 Saffarans Ave.
5. 462 Alabama Ave., moved in April 1953.
6. They moved to 2414 Lamar Avenue in 1954 — the year when things began to happen for Elvis.
7. In late 1955 they moved into a slightly nicer home at 1414 Getwell Road.
8. In March 1956, two months after Elvis struck it rich with sales of “Heartbreak Hotel”, they all moved into a spacious ranch-style home at 1034 Audubon Drive.
Steven Spielberg‘s semi-autobiographical The Fabelmans (Universal, 11.22), co-written by Spielberg and Tony Kushner, will have its big premiere at the 2022 Toronto Film Festival. Word around the campfire is that it’s not a Telluride-type film, but it takes all sorts to make a fall festival world.
Official synopsis: “The Fabelmans is a coming-of-age story about a young man’s discovery of a shattering family secret and an exploration of the power of movies to help us see the truth about each other and ourselves.”
The ensemble cast includes Michelle Williams as Spielberg’s mom and Gabriel LaBelle as young Spielberg, plus Paul Dano, Seth Rogen, Jeannie Berlin, Julia Butters, Robin Bartlett, Keeley Karsten and Judd Hirsch.
What about that Rodrigo Perez report about David Lynch allegedly playing a John Ford-like director who bawls out young Spielberg/LaBelle?

Oh my god. These Trump outtakes are as humiliating as they are incriminating. pic.twitter.com/rI5PHrYx6s
— MeidasTouch.com (@MeidasTouch) July 22, 2022
In a 7.22 Variety piece, Oscar handicapper and identity-celebrationist Clayton Davis has actually poured water on the notion that Jordan Peele's Nope is an Oscar contender. "In the land of the Oscars, major Nope attention for best picture, director and original screenplay appears out of reach", Clayton says.
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Who wasn’t appalled to learn of Roman Polanski‘s sexual violation of Samantha Geimer in March 1977, when she was only 13? One presumes the moral outrage would be just as strong if Geimer had been 14 or 15. And yet rock stars enjoying sexual intimacy with way-too-young teenagers was par for the course in the mid to late ’50s, certainly as far as Jerry Lee Lewis and Elvis Presley were concerned.
Baz Luhrman never touched this aspect of Presley’s private life in Elvis, of course, but Alanna Nash‘s “Baby, Let’s Play House“, a seemingly credible, well-written 2009 book, reports that the sexually insecure Presley was totally into “cherries,” as he called them — girls who were barely pubescent.
Presley was apparently more into erotic fiddling around than becoming an actual Pablo Picasso-like conquistador. But carnal knowledge is carnal knowledge.
A 14 year-old named Frances Forbes and two girlfriends (Gloria Mowel, Heidi Heissen) participated in “pajama parties” with Presley, the book says. “Elvis didn’t pay any attention to me [when I was 13], but when I was 14, he noticed me,’ Forbes says. “14 was a magical age with Elvis. It really was.”
Presley was immediately sexual, however, with his future wife Priscilla, who was 14 when they met in Germany, when Presley was serving in the Army. Presley manager Colonel Tom Parker claimed that their relationship with chaste until Priscilla came of age….bullshit, says Nash.
In 1960 Presley reportedly fiddled around with Sandy Ferra, the 14-year-old daughter of the owner of the Cross Bow nightclub in L.A.’s Panorama City. In 1974, when Presley was 39, he took up with 14-year-old Reeca Smith.

When Chris Nolan‘s Oppenheimer opens next summer, will paying audiences once again be charmed by a perplexing sound mix that will prevent a large percentage from understanding significant chunks of dialogue?
I’ve listened to the Oppenheimer trailer 20 times, with headphones. This is the dialogue that I’ve heard:
Woman’s voice: “Dose-uh bottom veshdee changenee…I farted…this is your moment!” Man #1: “How could this man…WHAM!…escoh soo mahttur be so wide?…WHAM!” Man #2: “Biz howdar van bamboose!” Man #1: “You gave them the power to destroy themselves. It means the most important man who ever lived…the man who moved the earth.”
"You gave them the power to destroy themselves."
Here's the better version of the #OPPENHEIMER Trailer Teaser (Video Recording) during the NOPE Screening.
@mraxto#ChristopherNolan #CillianMurphy pic.twitter.com/ebnaCgXera
— Oppenheimer – A Film by Christopher Nolan (@OppenheimerATOM) July 21, 2022

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
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After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
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The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...