A highly unusual and disturbing thing happened in bucolic Wilton on the morning of Tuesday, 3.21, or five days ago. A 39 year-old married guy was stabbed to death by a 31 year-old nutbag neighbor. The victim’s name was Arinzechukwu “Red” Ukachukwu (tough pronounce), and the killer was and is Sebastian Andrews, a 31 year-old guy who was living with his father and an older brother on Wilton’s Indian Hill Road.

The victim and his wife, Alisha Lager, bought their home “after the pandemic,” according to a toothless story by Hearst Media Group’s Peter Yankowski. Lager is left to care for their two-year-old son.

I found an attractive, magic-hour photo of the couple on Lager’s Facebook page. The victim, the assailant and Lager — all Millennials.

Yankowski: “Born on 1.12.84, Ukachukwu was a creative entrepreneur, musician and a tech wizard. He was raised in Brooklyn by parents who were active in the Nigerian community. He attended private schools and then Fiorello H. LaGuardia High School of Music & Art and Performing Arts. In 2005 he graduated from the University of Albany with a degree in economics.”

Fox61’s Matt Caron reported that at last Wednesday’s hearing Andrews asked to speak and was advised by his attorney, Kevin Black, not to say anything. The state’s attorney said that “there appears to be some sort of psychological issue involved.”

The arrest warrant reports that Andrews alleged that he found Ukachukwu “trespassing on [his father’s] property several times.” This appears to be an unsubstantiated claim.

Compounded with the “psychological issue,” facts suggests that the killing was some kind of bizarre racial hate crime, perhaps in a vein vaguely similar to the 2020 killing of Ahmaud Arbery. Who stabs a neighbor with a kitchen knife and then drags his body into a garage and then takes a shower and calmly waits for the cops to arrive?

The crime was reported by Andrews’ father, who saw the killing happen in real time. Nobody has spoken to him, nor has anyone explored if his now-jailed son had some kind of social media history. I poked around and found nothing.

Posted a few minutes ago on Facebook…

In yesterday’s pan of the revolting and deplorable John Wick: Chapter Four, I should have mentioned my grudging respect for an extended, uncut overhead shot of Keanu
Reeves going from room to room and blasting bad guys at every turn with the camera constantly maintaining its God’s-eye viewpoint.

In a 3.25 interview with TheWrap‘s Scott Mendelson, dp Dan Laustsen (totally unpronouncable) explains that the scene utilized a set built on one of the Studio Babelsberg sound stages.

Laustsen: “It’s one crane shot and one spider cam shot where we are starting on the stairs and flying around. We did in eight or ten takes. The light must be outside the set. We see the whole set. That’s the challenge when your shots are wide and the entire set is in view.”

John Wick 4’s god’s-eye gunfight has been called the “Hotline Miami” scene but I was surprised to see Chad name an even more obscure indie game as inspiration

HONG KONG MASSACRE is Hotline Miami x John Woo, and JW4 beautifully adopts its top-down look & gargantuan muzzle flashes pic.twitter.com/hGU3A47icE

— ChristianV (@GenreFilmAddict) March 26, 2023